S03.32: You Had Me at Hola by Alexis Daria: A Textbook for Human Relationships
We named Alexis Daria’s You Had Me At Hola one of the best romances of 2020, and for good reason. This week, we’re talking about how great romances can be handbooks for great relationships, about why taking risks in romance writing can pay off big time, about what it’s like to be bilingual in America, about why intimacy coordinators are amazing, and about normalizing lube. Enjoy!
Next week, we’re back with an interstitial, and in two weeks, we’re reading…honestly, we don’t know. Stay tuned! Thank you, as always, for listening! Please follow us on your favorite podcasting app, and if you are up for leaving a rating or review there, we would be very grateful!
Show Notes
If you need to manifest, Sarah's surprise crystal kit came from Crystal Rising.
We had a Best of 2020 box available from Old Town Books in Alexandria, and it looks like you can still order it. You can listen to the whole Best of 2020 episode here.
The Applying to College Reddit is probably not a real healthy place for high school seniors to hang out, so I guess if you must, you can be the person who just says reassuring nice things. But if nothing else, portal astrology shows just how desperate people are to make meaning out of the tiniest of clues.
Telenovelas vs. soap operas.
The bilingual spectrum--from receptive to equilingual--and the ways that this is a particularly American issue. Jasmine in YHMAH is a dominant bilingual (so is Sarah). The ways in which writers put languages on the page has changed a lot in the past decade. Watch this video of author Daniel Jose Older explaining why he doesn’t put Spanish in italics.
In the movie Selena, there’s a scene where her father worries about her Spanish skills as she is about to meet Mexican reporters. Although this scene may not be accurate, Selena learned the phonetic Spanish for all her songs since she wasn’t fluent. A more recent series about Selena’s life is on Netflix, check for reviews because neither of us have watched it.
Being an Intimacy coordinator is a real job!
Breaking the 4th Wall is a phrase from TV when the actors directly address the audience. In You Had me at Hola, we see Jasmine or Ashton fall out of character and become themselves during the filming of a scene.
The Penn & Teller cup and ball trick, which we also talked about in the Bet Me Episode.
Little Red Corvette and Sugar Walls are songs about sex, so don't worry about the pop music your kids are listening to these days. It's all gonna be fine.
S03.30: A Matter of Class by Mary Balogh: It's Grown Up!
We’re headed back to 2007 this week, to talk about Mary Balogh’s A Matter of Class, which Sarah’s editor gave her as assigned reading when she was writing A Rogue By Any Other Name. We’re leaving plot and character aside here and really digging into structure, so expect conversations about timelines, about language and yes…about tense. Because, Jen.
Whether you're new to Fated Mates this month or have been with us for all three seasons, we adore you, and we're so grateful to have you. We hope you’re reading the best books this week.
Next week, it’s a morality chain romance interstitial! After that comes our next read along, which is still in discussion—stay tuned!
Show Notes
For what it’s worth, this is our 119th episode, so time to clarify the pronunciation of MacLean. Say it like the last name of famous movie badass, John McClane from Die Hard. Jen is now very mad at herself and thinking of renaming herself Jennifer Diesel in honor of Vin Diesel and the Fast & Furious movie franchise.
If you liked A Matter of Class, check out Balogh’s Bedwyn and Westcott series. PS, Jen thinks she deserves a lot of credit for not cracking up at “A quiet, stiff hero.”
Sarah’s editor at Avon is Carrie Feron.
Time slip is a narrative structure where stories are not told in chronological order. Here is an entire website about time.
Although Jen couldn’t find the article for “I write what I can’t draw, I draw what I can’t write,” a few people on the internet also give credit to Marjane Satrapi, author of the amazing graphic novel Persepolis.
Sarah’s friend Carrie Ryan writes YA, and she’s the one who talked about the difficulties of secrets in first person narration. Butterfly in Frost by Sylvia Day is a book in first person that didn’t work for Jen. It seemed like the narrator was dissociating, which is different than keeping a secret. Although she never mentioned Butterfly in Frost in the piece, the book inspired Jen to write about the problems with unreliable narrators in romance for Kirkus.
The Crown is a Netflix series that is well-regarded, but the difficulties of portraying the modern years of the monarchy has been well-documented. Read this in case you want to know about Princess Margaret's love life. In Oprah’s interview with Meghan Markle and Prince Harry, Meghan talked about the difference between Hollywood and the monarchy. They also routinely referred to “the Institution” and “The Firm” to distinguish the monarchy from individuals.
A few weeks ago, Kate Clayborn joined us to talk about retellings. A Matter of Class gave Jen some Romeo & Juliet feelings.
Sarah's dual timeline books are The Day of the Duchess and "The Duke of Christmas Present," which is in the How the Dukes Stole Christmas anthology. Sherry Thomas's Private Arrangements is a fabulous example of it, as well.
