S05.49: Knockout: #TommyGoBoom
Sarah has a new book out, so as is tradition for our last episode of the season, Jen is playing host, and Sarah is playing guest, and we’re talking about this gorgeous cover, about secrets and power, about Exasperated Man vibes, about characters having to learn lessons, about writing propulsive stories, about how bored Sarah gets by ballrooms and about how fun it is to write in a big fictional, fantasy world. Jen talks about how Bruce Springsteen understands romance novels better than most people.
It’s mostly a spoiler free episode, but you might prefer to finish your read before listening. Enjoy! And don’t miss the first two chapters of the magnificent Knockout audiobook, narrated by the incomparable Mary Jane Wells, at the end of the episode!
If you still haven’t got a copy of Knockout, you can get it signed, with exclusive FM swag, from Book Club Bar in NYC, or at Amazon, Barnes & Noble, Kobo, or Apple Books, or in print from your local independent bookseller.
If you want more Fated Mates in your life, you are welcome at our Patreon, which comes with an extremely busy and fun Discord community! Join other magnificent firebirds to hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com.
Show Notes
Lil Romance is in Europe, and apparently will become very familiar with Eurail. Why because Europe is so small compared to the US, for example, check out this map of the Great Lakes basin compared to the continent of Europe.
Imposter syndrome explained.
Join us in New Haven CT at the Yale Romance Conference Sept 8-9, 2023. We are both very excited to meet Carole Bell, a romance advocate and a crackerjack reviewer. If you are listening to this the day it released, you can tune into Likewise tonight and hear us chatting about Knockout and recommending books.
Read Adriana's An Island Princess Starts a Scandal.
Sounds like if you need to learn more about explosions, gunpowder, nitroglycerine, and TNT, the person to call is Elena Armas. Preorder The Long Game, which comes out on Sept 5, 2023.
Other pirate ship desks include: Chase's desk in Never Judge a Lady By Her Cover, Whit's desk in Brazen & the Beast, and Max's desk in A Duke Worth Falling For.
In 2005, Bruce Springsteen was on VH1’s Storytellers, and his description of the work of Thunder Road is exactly how we think of the work of romance. Watch all the way until the end, when he says, “Nothing left but the ride. So this was my big invitation to my audience, to myself, to anybody that was interested. My invitation to a long and earthly, very earthly journey, hopefully in the company of someone you love, people you love, and in search of a home that you can feel a part of.” A perfect description of the romance genre, Bruce!
The Hell's Belles playlist got a major Knockout update. Listen on Spotify and Apple Music.
Sponsors
Jess Bryant, author of Unbreakable Bond,
available at Amazon, or with a monthly subscription to Kindle Unlimited
and
Nikki Sloane, author of The Good Girl,
available at Amazon, Barnes & Noble, Kobo, or Apple Books.
and
Austen Tea Party A Historical Romance Collection
for Charity, Inspired by Jane Austen
available at Amazon, or with a monthly subscription to Kindle Unlimited
all proceeds go to breast cancer research
05.48: Grumpy/Sunshine Romance: Exasperated Man™️
We’re talking about a classic trope that we’ve somehow missed over five seasons — Grumpy/Sunshine! Of course our favorite brand of this particular trope is what our friend B.andherbooks calls “Exasperated Man™️,” but we’re talking about the whole continuum of grumps and sunshines, including grumpy women (because it’s 2023, and aren’t most women pretty grumpy, honestly). Check out this list of books, and share your own faves!
Next week, we’re reading Knockout! Get it signed, with exclusive FM swag, from Book Club Bar in NYC), our next read along will be Laura Kinsale’s Flowers from the Storm, available at Amazon, Barnes & Noble, Apple Books, Kobo or from your local indie.
If you want more Fated Mates in your life, you are welcome at our Patreon, which comes with an extremely busy and fun Discord community! Join other magnificent firebirds to hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com.
Show Notes
AI is for scamming, and scamming, and more scamming.
Perhaps you, too, would like to see Denzel Washington not as the enforcer, but as the Equalizer. The 3rd installment will be released on Sept 1, 2023.
Books Mentioned This Episode
Sponsors
Meghan Quinn, author of The Way I Hate Him,
available from Amazon, or with a monthly subscription to Kindle Unlimited.
and
Pocket Books Book Shop
a queer, feminist, anti-racist indie bookshop online and in Lancaster, PA
Shop online at pocketbooksshop.com or get tickets to see Sarah, Adriana Herrera and Joanna Shupe in person on September 16th!
and
Lumi Labs, creators of Microdose Gummies
Visit microdose.com and use the code FATEDMATES
for 30% off and free shipping on your order
S05.47: Fairy Tale Retellings with Zoraida Córdova
We’re talking fairytale retellings today with Zoraida Córdova, the author of Kiss the Girl, a new retelling of The Little Mermaid. We talk about the responsibility of authors when they tackle retellings, about the relevance of fairytales in the world, about the history of fairytales, and about why they resonate so powerfully with us as authors and readers.
After Sarah’s Knockout (preorder it signed, with exclusive FM swag, from her local bookstore), our next read along will be Laura Kinsale’s Flowers from the Storm. Get it at Amazon, Barnes & Noble, Apple Books, Kobo or from your local indie.
If you want more Fated Mates in your life, you are welcome at our Patreon, which comes with an extremely busy and fun Discord community! Join other magnificent firebirds to hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com.
Show Notes
Welcome back, Zoraida Córdova. She was on the podcast back in Season 3 talking about fantasy romance. Kiss the Girl is a Little Mermaid retelling, and the third book in the Meant to Be series. You can check out her other mermaid books, a YA series that starts with The Viscous Deep, or the forthcoming anthology Mermaids Never Drown.
Are we billionaires from winning the MegaMillions? Probably not. But if we did, Jen is planning to renovate the Jackson Park Beach House. The great thing about helping refugees and immigrants is you can do something about that even if you haven’t won the lottery.
Books Mentioned This Episode
Sponsors
Chloe Angyal, author of Pas de Don’t
available now at Amazon, B&N, Kobo & Apple Books.
Use the code FATED25 at chicagoreviewpress.com for 25% off your order.
Jess Bryant, author of Unbreakable Bond,
available at Amazon, or with a monthly subscription to Kindle Unlimited.
Melanie Harlow, author of Hideaway Heart,
available at Amazon, or with a monthly subscription to Kindle Unlimited.
Preorder Sarah’s Knockout at
Amazon, Barnes & Noble, Kobo, Apple Books,
at your local independent bookstore, or signed with goodies and
special edition Fated Mates stickers from her
local independent bookstore, WORD in Brooklyn.
S05.45: Emotional Navy SEALs: Divorced Main Characters in Romance Novels
After literal years of requests for this one, we’re finally tackling the divorced main characters in romance! We talk about romance between grown ups, about bad exes and good ones, about marriages that were mistakes and ones that help characters learn. This one is full of contemporaries and historicals, and you definitely don’t want to miss it.
After Sarah’s Knockout (preorder it signed, with exclusive FM swag, from her local bookstore), our next read along, the first of Season Six, will be Laura Kinsale’s Flowers from the Storm. Get it at Amazon, Barnes & Noble, Apple Books, Kobo or from your local indie.
If you want more Fated Mates in your life, you are welcome at our Patreon, which comes with an extremely busy and fun Discord community! Join other magnificent firebirds to hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com.
Show Notes
Jen saw Beyonce for the Renaissance Tour at Solder Field this week for the Renaissance Tour, and also Barbie and Oppenheimer, although not on the same day, so not the full Barbenheimer experience.
Divorce is becoming less common in America, but it might not be a good thing.
A folder with PDFs of this week's articles.
Books Mentioned This Episode
Sponsors
Andie James, author of Lost and Found by the Duke,
available in print and ebook, or with a monthly subscription to Kindle Unlimited
and
Delphine Ross, author of The Poetics of Passion,
available at Amazon, Barnes & Noble, Kobo, Apple Books
and your local independent bookstore
S05.44: New Romance Novels For Summer 2023
Today, we’re talking about books we’re excited about this Summer! We’re toppling TBRs with books you can get now, books you can preorder, books that are terrific beach reads, books that gave us big feelings, and books that made us really very happy. Enjoy!
For the readers in the group, preorder Sarah’s book, Knockout, now. For the writers in the group, register for her conflict class, at her website.
Our next read along, the first of Season Six, will be Laura Kinsale’s Flowers from the Storm. Get it at Amazon, Barnes & Noble, Apple Books, Kobo or from your local indie.
If you want more Fated Mates in your life, you are welcome at our Patreon, which comes with an extremely busy and fun Discord community! Join other magnificent firebirds to hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com.
Books Mentioned This Episode
Sponsored By
Alyxandra Harvey, author of The Duchess Games,
available in print and audio, or with a monthly subscription to Kindle Unlimited
and
Lumi Labs, creators of Microdose Gummies
use the code FATEDMATES for free shipping and 30% off your order
S05.43: Twilight by Stephenie Meyer with Christina and Lauren
We go back to the OG DNA of the contemporary boom of the early 2010s today, with a read along of Stephenie Meyer’s Twilight, with fabulous fan fic writers turned brilliant romance novelists, Christina Lauren. Christina and Lauren talk about the way the books inspired them to write, helped them find a community, and their fated mates (each other). Jen talks about reading Twilight as a middle school teacher, and Sarah talks about never reading it at all…until now.
Within, we’ll talk about characters feeling big feelings, about how Twilight inspired romance novelists across the board, about third acts that go hard, and about how Alice is unquestionably the best character in the whole thing.
Get Christina and Lauren’s most recent book, The True Love Experiment, wherever books are sold, and this week from Bookshop.org, where you get free shipping and help your local independent bookstore.
If you want more Fated Mates in your life, you are welcome at our Patreon, which comes with an extremely busy and fun Discord community! Join other magnificent firebirds to hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com.
Show Notes
Welcome back Christina and Lauren! After listening to them talk about Twilight, don’t forget to pick up their latest book, The True Love Experiment. We’ve had Christina and Lauren on a bunch of times to talk about FanFic, The Soulmate Equation, and the forced proximity trope.
Not sure of the exact article that Lo read about brain scans and married couples, but this seems like a good overview.
And a selection of some of our favorite articles about Twilight:
From The Atlantic: At Its Core, the ‘Twilight’ Saga Is a Story About
From Entertainment Weekly: The Twilight Effect
From The New York Times: Love and Pain and the Teenage Vampire Thing
From Slate: All 349 “Murmurs” in the Twilight Saga, Charted and Ranked
From Salon: Meet the Twilight Dildo Inventor
From Vogue: 56 Thoughts I had While Rewatching Twilight
From Vulture: The Most Horrific Twilight Character Backstories, Ranked by Absurdity and a video about The Rise and Fall of the Vampire Romance Craze in Film and TV.
A Google Folder with PDFs of this week's articles.
The Twilight Series
Sponsored By
Alyxandra Harvey, author of The Duchess Games,
available in print and audio, or with a monthly subscription to Kindle Unlimited
and
Lumi Labs, creators of Microdose Gummies
use the code FATEDMATES for free shipping and 30% off your order
S05.42: The Bride by Julie Garwood: A Primordial RomCom
We were devastated to learn of the passing of Julie Garwood, honest to God romance doyenne, last month. Garwood installed many of our buttons, and the buttons of so many romance readers who came up reading “The Four J’s,” and, more importantly, paved the way for romcoms with her wonderfully funny historicals. She was, without question, a trailblazer. While we were unable to interview her for our trailblazer series, we couldn’t let her passing go without an episode, so please enjoy our read along of The Bride, which is a nearly perfect book even now, decades after she wrote it.
While our thoughts are with with Julie Garwood’s family, her friends, and the legions of readers she delighted over her long and legendary career, our endless gratitude is with Julie Garwood herself—for the laughter, the sighs, and the absolute bangers that were her books.
If you want more Fated Mates in your life, you are welcome at our Patreon, which comes with an extremely busy and fun Discord community! Join other magnificent firebirds to hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com.
Show Notes
We were devastated to learn about the death of romance great Julie Garwood. You can read her obituaries in the New York Times and the Washington Post. In 2022, Julie Garwood was a guest on the Smart Bitches Trashy Books podcast.
Are we at the end of the usable internet?
A google folder with PDFs of this week's articles.
Books Mentioned This Episode
Sponsors
Trilina Pucci, author of Knot So Lucky,
available now from Amazon, or with a monthly subscription to Kindle Unlimited
and
Jessica Martin, author of The Dane of My Existence,
available now in print, ebook and audio from
Amazon, Barnes & Noble, Apple Books, Kobo,
or from your local independent bookseller.
and
The Smut Lovers Conference,
September 21-24 in Orlando, FL
Use the code FATEDMATES for 15% off all available tickets
S05.38: Prologues & Epilogues in Romance
It’s hard to believe it’s taken us this long to do a prologue and epilogue episode! We talk about beginnings and endings and why they exist and why writers should ignore every piece of broad strokes nonsense advice people want to throw at them. Jen says “Prologues are plot and epilogues are character,” and blows Sarah’s mind with her genius (jk, Sarah already knew she was a genius). And yes, we talk about babies. Fair warning!
This interstitial idea came from the Fated Mates Discord, which all of our patrons have access to. Join other magnificent firebirds to hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com.
Show Notes
You know, Animal Farm is a good book and King Lear is a good play.
There is a very cute family of foxes living in Chicago’s Millennium Park
Apparently this dogs and rosetone thing is a known issue.
Here is an example of the hardline “Prologues are Bad” stance. || ed note: I’m not mad about it, since I have some known hardline stances myself. Ahem. ||
Our list of things good romance prologues do: provide needed backstory, historical information, an inciting incident in the past, an unusual set-up, and showcasing the relationship between the primary characters.
Our list of things romance epilogues do: fan service, bringing the whole gang back together in a series,providing a glimpse into the other character’s POV, The HEA fulfilled, the babylogue, and surprise motherfuckers!
A link to a folder with PDFs of links in show notes.
Books Mentioned this Episode
Sponsors
Adriana Herrera, author of An Island Princess Starts a Scandal,
available now from Amazon, Barnes & Noble, Apple Books, Kobo
and your local independent bookseller.
and
Juniper Butterworth, author of Bewitched,
available now from Amazon, or with a monthly subscription to Kindle Unlimited.
and
The Noveltea Shelf Assured Book Box,
available at novelteabooks.co
S05.34: Her Best Worst Mistake by Sarah Mayberry
This week, we’re talking about one of our very favorite romance novels, Sarah Mayberry’s absolute banger, Her Best Worst Mistake. We talk about how enemies to lovers works best, about how POV changes the whole game with this particular trope, about how Mayberry threads a very difficult needle with the main characters’ past relationship, and about how conflict somehow remains queen, even when not a ton is going on on page. All that, and it’s a novella! An absolute gem.
We hope you love this one as much as we did. Read Her Best Worst Mistake in ebook at Amazon, B&N, Kobo or Apple Books.
Show Notes
Along with giving great writing advice, Sherry Thomas writes an amazing romance. Check out our season 3 deep dive of Ravishing the Heiress.
If you, too, are a fan of Peach schnapps, maybe it’s time to mix up some summer cocktails.
Jaguar is all in the pronunciation when you think about it.
All about mangoes.
Books Mentioned This Episode
Sponsors
Veronica Adler, author of Never More Than Enemies
Available now from Amazon and free with a monthly subscription to Kindle Unlimited,
and
Steamy Lit Romance Conference
August 18th & 19th in Anaheim, CA
Visit steamylitcon.com for tickets and more information,
or head to the main page of fatedmates.net to win a ticket to the conference.
and
Lumi Labs, creators of Microdose Gummies
Visit microdose.com and use the code FATEDMATES
for 30% off and free shipping on your order.
S05.33: Bingeable Romance Series
After a number of conversations and requests, we’re talking about the best long-running romance series today! We’ve got something for everyone — paranormal, historical and contemporary — and we’re getting your long, lingering summer reading TBR sorted! We talk about why series work so well for romance, what makes them rewarding, and what we’re looking for when we dive in.
Next week, we’ve got another read along! Join us to read one of our very favorite short novels, Sarah Mayberry’s Her Best Worst Mistake, which sets the bar for every other enemies to lovers romance ever. Get it at Amazon, B&N, Kobo or Apple Books.
Show Notes
There are lots of words for snow, including graupel.
We loved our conversation with Christine Feehan, and it got us thinking about series. This is also a great essay about series from Ilona Andrews, who have lots of great long-running series (some of which we mentioned today) and talk about the difference between episodic vs. progressive series.
Author Heather Burch shared her description of the novel with Sarah as: "an unforgettable character, a relentless threat, and an impossible situation." You can check out Heather's books here.
In this EW interview with Nora Roberts, she said the In Death series was supposed to be a trilogy set in the near future.
Here’s a USA Today interview with Joanna Wylde about writing the Reapers Legacy series.
You can turn off popular highlights, btw.
Our next read along, next week, is Her Best Worst Mistake by Sarah Mayberry.
A folder with those links, you're welcome.
Series Mentioned This Episode
Sponsors
Max Monroe, authors of Accidental Attachment
Available from Amazon, with a monthly subscription to Kindle Unlimited,
or in audio wherever you listen to audiobooks.
and
Annmarie Boyle, author of Love Me Like a Love Song
Available from Amazon, Barnes & Noble, Kobo or Apple Books.
S05.32: Runaway Brides in Romance
It’s runaway bride week here at Fated Mates and we’re delightedly traveling down memory lane to talk Julia Roberts, Sally Field, the importance of significant lips for a proper mustache, and all the ways we love cold feet on the way to the altar! We discuss all the ways runaway brides can happen in romance, talk about our high expectations for this trope…and Sarah realizes she’s written two of them!
Our next read along is Sarah Mayberry’s Her Best Worst Mistake, an absolute banger of an enemies-to-lovers romance and one of our favorites. Get it at Amazon, Apple Books, Barnes & Noble or Kobo. You are in for an absolute treat with this one.
Show Notes
This week we’re talking about runaway brides (in the past, we also recorded an episode about Waking Up Married). Some of the primordial runaway brides are from movies: Smokey and the Bandit (1977) and Runaway Bride (1999).
Sarah recommended an essay called The Bizarre Genre of Runaway Bride Romcoms, which has some other great movie rom-coms: Maid of Honor, Something Borrowed, My Best Friend’s Wedding.
We’re tired of kids' movies. Jen’s last one was Big Hero 6 (that is not hyperbole, she hasn’t seen an animated movie since 2014 when Lil Romance was 11). Other families movies we enjoyed: Ghostbusters (2016) and Fly Away Home (1996).
Growing up in the 80s, “those other channels” that weren’t one of the major networks were called UHF channels, I think?
Whew, the wedding industrial complex is no joke.
Our next read along is Her Best Worst Mistake by Sarah Mayberry.
A folder with PDFs of some of the links above.
Books Mentioned This Episode
Sponsors
E.F. Dodd, author of A Higher Standard
Available to preorder from Amazon
or on May 16 with a monthly subscription to Kindle Unlimited
Sookh Kaur, author of Komal Needs London
Available now from Amazon
or with a monthly subscription to Kindle Unlimited
S05.31: Stealing Midnight by Tracy MacNish: A+ Fresh
Finally, the read along we’ve been promising! We’re so excited to talk about Tracy MacNish’s Stealing Midnight, a gothic romance from 2008 that delivers what we here at the pod like to refer to as “the full banana.” We talk about bodysnatchers, about science, about dukes in disguise, about twins, and about why historical romance is unmatched. If you know Tracy MacNish, please tell her we love her book, and we’d really appreciate it if she’d write that second one.
Thank you, as always, for listening! Please follow us on your favorite podcasting app, and if you are up for leaving a rating or review there, we would be very grateful.
Show Notes
Let the New York Public Library explain the history of gothic romance to you.
Perhaps you want to know a little bit more about Resurrectionists and grave robbers. Most bodysnatchers were working for people who were learning about human anatomy.
I guess you could watch The Banshees of Inisherin if you want to learn to correctly pronounce the name Padraig.
Should you tell your twins their birth order?
Talking about foils is some real English teacher business.
Sir Gawain was one of King Arthur’s knights
Spanish fly is a real thing, and probably best to stay away from it.
Books Mentioned This Episode
Sponsors
Liza Snow, author of Obedience
Available now from Amazon and free with a monthly subscription to Kindle Unlimited
or in full-cast audio.
and
Lumi Labs, creators of Microdose Gummies
Visit microdose.com and use the code FATEDMATES
for 30% off and free shipping on your order.
S05.30: Christine Feehan: Trailblazer
This week, we’re sharing our fantastic conversation with trailblazer Christine Feehan, an undeniable force in the rise of paranormal romance in the early 2000s. We discuss the genesis of her work, the way she builds her far-reaching worlds, her relationship to readers, her heroes, her sex scenes, and the long and winding path of her career.
Our conversation covers a lot of ground—personal, professional, paranormal and powerful, and we’re so grateful to Christine Feehan for making time for Fated Mates. You’re going to love this one, Firebirds.
Next week, our first read along of 2023 is Tracy MacNish’s Stealing Midnight—we’ve heard the calls from our gothic romance readers and we’re delivering with this truly bananas story, in which the hero is dug out of a grave and delivered, barely alive, to the heroine. Get ready. You can find Stealing Midnight (for $1.99!) at Amazon, B&N, Kobo, or Apple Books.
Show Notes
Welcome to Christine Feehan, author of almost 100 romance novels. Her next book, Ghostly Game, is part of the Ghostwalker series and will be released May 2, 2023.
PEOPLE : editor Alicia Condon at Dorchester and now Kensington, and editor Cindy Hwang at Berkley.
BOOKS: Freckles and The Harvester by Gene Stratton Porter, Louisa May Alcott, The Bourne Identity by Robert Ludlum, Mary Janice Davidson, Gift of Fire and Gift of Gold by Jayne Ann Krentz, The Adventures of Sherlock Holmes, The Beekeeper’s Apprentice by Laurie R. King.
Books Mentioned This Episode
Sponsors
Goldie Thomas, author of The Rake and the Fake
Available now from Amazon, Barnes & Noble, Kobo, or Apple Books
and
Lumi Labs, creators of Microdose Gummies
Visit microdose.com and use the code FATEDMATES
for 30% off and free shipping on your order.
Christine Feehan 00:00:00 / #:
I'm not somebody who will ever cut and paste a love scene. It's a different couple and so, they react differently to each other and to whatever situation is going on. And I don't get embarrassed. It's just part of life, and I put that in. And part of the reason for that, and I know this is going to sound crazy, but so many girls that had had these terrible things happen to them would be very promiscuous, but they never felt anything. And I would say it's because you don't have a good partner. You're not in love with your partner. He's not doing anything for you, so I wanted them to know what good sex was. And writers should realize that the words they put down touch people. And you don't know who you're going to touch and you don't know what you say, what it's going to do to somebody.
Jennifer Prokop 00:01:11 / #:
That was the voice of Christine Feehan, paranormal author, extraordinaire, author of over 100 books and just a superstar of the genre and has been for decades.
Sarah MacLean 00:01:26 / #:
Her first book, Dark Prince, came out in 1999, right at the very beginning of the paranormal boom that we talk about. So, we talk to Christine about her life, how she came to romance, how she came to writing paranormals, and how she continues to write in this subgenre that we all love and wish there was more of.
Jennifer Prokop 00:01:50 / #:
Welcome to Fated Mates, everyone. I'm Jennifer Prokop, a romance reader and editor.
Sarah MacLean 00:01:55 / #:
And I'm Sarah MacLean. I read romance novels and I write them.
Jennifer Prokop 00:02:00 / #:
And without further ado, here's our conversation with Christine Feehan.
Sarah MacLean 00:02:06 / #:
Perfect. So thank you so much, Christine, for joining us. We're very excited, in large, part because it feels like you really came to romance in an interesting time and place and way. And so, I wonder if you could talk a little bit about how you found romance as a reader and then, again as a writer, or was it simultaneous?
Christine Feehan 00:02:32 / #:
Actually, it wasn't simultaneous at all. I started reading when I was very, very young, at a very young age and started writing when I was very young. The minute I could put sentences together, I started making up stories and I would write them down the minute I could, when I could put sentences together. And I think the first time I ever read a romance, I found these old, old books by Gene Stratton Porter, The Harvester and Freckles and those. And I realized there was kind of this romance thing going, and I found it really intriguing. I was probably 10 or even younger. I read books way over my head-
Sarah MacLean 00:03:32 / #:
Us too.
Jennifer Prokop 00:03:32 / #:
Us too. No problem.
Sarah MacLean 00:03:32 / #:
One of us.
Christine Feehan 00:03:37 / #:
And then, I started looking for anything I could read that might have some sort of a connection between a girl and a guy, because I wanted a happy ending or a happy anything involved in it. And so, that sort of started me down that path of looking for something happy in the book all the time, so that was sort of my intro to romance. And I found Louise May Alcott, of course, and read everything that she wrote, and I would read that to my grandmother whenever she was ill. I would sit and read to her, and then later, different ones that kind of inspired me for different reasons. Actually, The Bourne Identity, I liked the fact that they worked together. They were equal partners. People I think mostly saw the movie. They didn't really read that book the way it should have been read, but without her, he wouldn't have made it. She really was his equal partner in that book and I loved that. I really read that a couple of times to see how he made that happen and I really liked that. That was one of them.
Sarah MacLean 00:05:12 / #:
That doesn't surprise me at all, that the Bourne Identity is a text for you. I mean, it makes perfect sense now as a Feehan reader.
Christine Feehan 00:05:22 / #:
Yeah. And then, one really made an impact on me, probably that opened up the whole paranormal world for me, and I read it very early on was a Gift of Fire and Gift of Gold by Jayne Ann Krentz. And I forget how old I was when I read that, but all of a sudden, it was like it opened this whole world to me and I thought, "This is really what I want to write." Plus, I realized that my hero could be flawed and my villain could... I really like that the villain was rounded out so much.
00:06:11 / #:
And so, I started studying villains to figure them out. How did they write these villains and how did they become... You liked them and you didn't like... I mean, there were good things about them as well as bad things. How did they get to be who they were? So, I think they all had such an impact on me. One of the biggest impacts on me for all of my writing was Sherlock Holmes. I read Sherlock Holmes so many times that I literally could quote pages of Sherlock Holmes, of his work. And then, another writer was Laurie R. King, the Beekeeper's Apprentice. I thought that was such a fabulous take on... What she did, you would never expect her to put heroin with him and how she managed to make that work. That was an interesting pairing for me.
Sarah MacLean 00:07:24 / #:
So, at what point during this kind of reading, obviously, you've been an avid reader forever, did you start thinking, "I think I can maybe do this?"
Christine Feehan 00:07:36 / #:
I never did. I always wrote. I always wrote. I had hundreds of manuscripts under my bed. I'd write them and throw them, write them and throw them. I just wrote all the time. It was sort of a compulsion for me. I could not write, I had to write. I had so many stories in my head, I did not think about publishing them. Other people had movie stars and rock stars that they would scream and yell and, "Oh, my God. They're so wonderful. No, for me, it was writers. And so, I never looked at myself and thought I could ever be a writer like they could be, because I kind of worshiped those writers. They were amazing. My first job was in a library, and I would just read every book that I could in that library.
Jennifer Prokop 00:08:28 / #:
Living the dream. Well, it's, the other thing that's interesting though about that kind of list of books you named is I think one of the hallmarks of your style is an interest in the paranormal, but not necessarily... Even though the Carpathian series is very much about vampires, but like Jayne Ann Krentz, actually. Like telepathy and what the brain is capable of, so has that also always been interesting to you?
Christine Feehan 00:08:59 / #:
Absolutely. I research so much, and my belief really, is even with vampires, if you look at every society all over the world, you look at what their beliefs are going back hundreds of years, and all of them have something like that in their background. And where does it come from? You have to start thinking if every culture has something like that in it, where does it come from? And if every country pretty much has done these experiments with telepathy and with all these other things, why are they doing them? And after a while, you start getting these answers. You start hitting on things that, "Oh, this did work for somebody. This did work here. This did work there." And after so much research, you're catching up with the future things that they're already doing. Like my Ghost Walker series, I have a hard time keeping ahead of the game, and I research very hard to do that. And I always have primary sources, but it looks, when you write it, like it's way out there, but it isn't.
Sarah MacLean 00:10:29 / #:
Publishing wasn't even on the horizon, it sounds like. And I've done my research, I know you have a large family. So, can you give us a sense of Christine's world, at this point? How does it all fit together?
Christine Feehan 00:10:42 / #:
I taught martial arts for years and women's self-defense. Well, not just women's, I mean, I taught men too, but that was my world. I surrounded myself with that 26, 27 years of that. And I took in a lot of abused children, which you can see in my books and worked with unwed mothers and I had a complete whirl there. Writing was my escape, and when I took my kids to their gymnastics and their sports, I lived out in the country. I lived way out, away from things. So, I had to drive them and I would sit at their practices and write. That's what I did.
Sarah MacLean 00:11:40 / #:
Anybody with kids in sports has done exactly this.
Christine Feehan 00:11:43 / #:
Yeah. I didn't own a computer, I didn't own a laptop. There was no R.W.A., there was none of that. I didn't even know about R.W.A., I just wrote my stories and I did them for me. That was my escape. That was the one thing that I did for myself. And if the kids watched television at night, that's what I did, is I wrote. I wasn't interested in television. We played Dungeons and Dragons, and I told stories to the kids. That was our pastime and our fun together.
Sarah MacLean 00:12:26 / #:
So, at what point did it become... How did it happen? I mean, how did you become Christine Feehan published author?
Christine Feehan 00:12:36 / #:
The thing was that there came a time when I became very ill and my doctor said to me, "You cannot do martial arts anymore." And unfortunately, children want food.
Sarah MacLean 00:12:56 / #:
They do. Generally.
Christine Feehan 00:12:58 / #:
I convinced the, especially the boys, that they did not need to eat and the girls still wanted clothes. So, I had to find a way to feed them and to keep clothes on their back and to pay the bills. And I was working a couple of jobs, but it was minimum wage, and I was like, "Okay, this is not going to work." And my girlfriend said to me, "Send one of your books in." And I said, "It doesn't work like that." One, it was kind of terrifying. I didn't think I really wanted to send... The thought of giving away one of my stories was not a good idea to me, and I also told her they aren't taking anything with vampires in it. And at that point, I had been writing my Carpathian stories.
Sarah MacLean 00:13:56 / #:
That's so true. A paranormal was unsellable, we were told, in the nineties. And so, I guess I have two questions. One is, was it just that you thought, "I'm writing vampires and I'm not reading vampires? There are no vampires to be read. There was Anne Rice and now there is no one else?" Or did somebody tell you, "Oh, you can't sell vampires?"
Christine Feehan 00:14:23 / #:
Yes. I was told that... My friend, a girl girlfriend of mine was writing to sell, and she wanted to go to this thing in San Francisco that later I found out was an R.W.A.
Sarah MacLean 00:14:41 / #:
Sure.
Jennifer Prokop 00:14:42 / #:
Oh, Okay.
Christine Feehan 00:14:44 / #:
Which I didn't know. And she didn't want to go alone, so she asked me to go with her. And I said sure. And there were all these people in there, and I was a little embarrassed because they would say things like, "Well, I've been working on my office for four months, no book." And then somebody else said, "I've been working on my book for 14 years, and I've been working on my book for... I don't know how many..."
Sarah MacLean 00:15:12 / #:
God, this is the entire experience of R.W.A., honestly.
Christine Feehan 00:15:16 / #:
And this went on and on. And then, they get to me and I'm like, "I don't know. I have 300 manuscripts [inaudible 00:15:24 / #]." And a woman who was running the whole thing, later, she came up to me and she's like, "You need an agent." And I, at that time, was not interested in selling and I told her that. And I said, "Well, the latest thing I'm writing are..." She asked me what I was writing and I said romance. And I said, "But they have vampires in them." And she goes, "Oh, those aren't selling. You can't get an editor to even look at them."
Sarah MacLean 00:16:04 / #:
This week's episode of Fated Mates is sponsored by Goldie Thomas, author of the Rake and the Fake.
Jennifer Prokop 00:16:10 / #:
Sarah, this is a historical romance and it's a debut and the first in The Husband material series. This is a book that's really going to appeal to all of our listeners who love Tessa Dare and Joanna Shupe. And so, we have Charlotte, a seamstress employed at London's most renowned [inaudible 00:16:28 / #], and she is very aware of the class differences between her and the people that come in and partake of her services. And she runs a foul of Nicholas, a charming but badly behaved viscount, and his parents are insisting that he marry as soon as possible. After a maiden Manhattan mix up Nicholas's mother mistakes Charlotte, for this woman who she thinks Nicholas should marry, and there's just all of these shenanigans that happen. This book really deals with big class issues head on. And so, Charlotte, rather than being enamored with the excessive wealth that she is now seeing in real life is, instead like, "Wait, we really need to fix this." So Nicholas, Charlotte have to really figure out how they can be together given this huge difference between them.
Sarah MacLean 00:17:24 / #:
First of all, this sounds like a terrific read. I love it when historical romances really tackle class differences. And you can read The Rake and the Fake by Goldie Thomas right now in print or ebook, wherever you get your books. Thanks as always to Goldie Thomas for sponsoring the episode. Are the 300 manuscripts under your bed also paranormal adjacent?
Christine Feehan 00:17:53 / #:
No. They weren't at that time. No.
Sarah MacLean 00:17:56 / #:
So, how did we get to dark prints?
Christine Feehan 00:17:59 / #:
Well, at that time, I had quite a few children. My oldest son was in the Navy, and he came home to visit. I had two daughters who were pregnant, and he was helping out, building a little apartment for one of them. And he came home. He was with a friend, and he came home for lunch. He had a motorcycle, and I made him lunch and we were laughing and talking, and he went out the door and I said, "Did you put on sunscreen?" And he said, "Oh, mom, you're going to be saying that to me when I'm 90." And I laughed and said, "You bet I will." And he walked out the door, and five minutes later, maybe it was five minutes later, no more than that, the phone rang and my future son-in-law gets this call. He was on for if there was an accident. And his brother called him and said, "We've got a call. I'm coming to pick you up." And then, the neighbor called me and said, "I think your son was hit." And I said, "That's impossible."
00:19:26 / #:
But it was him and he didn't make it. And one of my daughters was... Both of them were due, and there was a birthday party I'd been planning the next day for my youngest child and a wedding I was planning. And it's a very interesting thing when you lose a child, and this is for any trauma that people suffer, life goes on all around you, it just keeps going. There's no way to stop it. You can't put the brakes on, and I had to keep planning a wedding. I had to keep two girls who were giving birth. I had a very small child who expected to have a birthday, and I didn't feel anything. I couldn't remember people talking to me, conversations.
00:20:45 / #:
And it lasted forever. It went on forever. I mean, I did everything I was supposed to do. I went to my kids' schools, I participated in everything that I was supposed to do, but I didn't feel anything. And it went on for so long and I thought, "I have to find a way back." And we always played Dungeons and Dragons together, and I always talked to him about vampires, made-up stories. And one of the things we talked about was, why would somebody want to give up your soul? And the more I thought about it, the more I thought, "If you have no feelings, if you can't feel anything and nothing can touch you..." And I honestly felt like I couldn't see in color anymore. Everything felt so dull. And I thought, "I have to find a way back to the people I love."
00:21:54 / #:
And that's when I started writing dark prints, and I started coming up with this idea that these men had to find that person that could make them feel again and see in color again. And that was my way back to... You never get over it. There's no way to get over it. But I've spoken to many, many people who've had many losses or had much trauma, and everybody has their own way of dealing with it. And that was mine. We shared something, it was Calvert's and I, we shared that. And my youngest son... He's not my youngest, but Brian, he always played Dungeon Masters with a Dragon. Anyway, he played with us and we would talk a lot about it together and eventually, it really helped me. And so, developing that world became very therapeutic for me. And so, that's how that world came about. And it's surprising when people read it. Some people have that, it has that same effect on them. They feel that same way, which I find interesting, that some people get it this, that have suffered loss, where other people have no idea.
Sarah MacLean 00:23:44 / #:
Yeah, but I imagine when a book comes like that and from such a place, it's impossible to imagine. First of all, it's all packed in there because when you write, that's how it goes, whatever you're living is in there. But also, I'm so moved by this story because the Carpathians are... That series is never-ending, right? It's 38 books now. And so, do you feel like every time you go back to them, that you're going back to a similar place you're mining that same love, that same world?
Christine Feehan 00:24:28 / #:
Sure. It's funny how grief will hit you at times, where it comes out nowhere. I mean, it's been a long time for my son. I've lost a granddaughter, I've lost a grandson and all of that is very difficult. You try very hard to, I don't know how to explain it, keep going as the world keeps going. But anybody who's lost parents, anybody, at times it just suddenly comes out of nowhere, and you don't know when it's going to happen.
00:25:23 / #:
But when I write, I can feel that connection, especially in the Carpathian world with Calvert, and it makes me feel very close to him again. And also, there's so many issues in those books, women's issues, miscarriages that women have. And over the years, with so many different friends and so many different young women that have had terrible things happen to them that I've dealt with through martial arts or through other things, I've been able to talk about those things. And then, had women be able to read about them, and then that helps them in their lives. So, I've been grateful to be able to have that opportunity when I no longer can do hands-on help.
Jennifer Prokop 00:26:32 / #:
So it's interesting to me too... Probably one of my favorite of your series is Torpedo Ink, and those are characters that are really steeped in trauma. And I mean, that's another thing that sort of ties your books together. People experience terrible loss or grief or trauma, and then this connection is like, how do they survive? Especially can they, through this, access almost parts of themselves, they didn't know that existed. So, when you talk about readers contacting you, is this something that... Like they write you letters, you get emails, how do you connect with readers who are also experiencing this world? Like the emotional... Your worlds are kind of terrible worlds, but people find each other in them. So, how do your readers come to you?
Christine Feehan 00:27:38 / #:
Well, okay, Torpedo Ink is actually my most difficult series to write. When I took in children, I found that boys were treated way differently than girls. When they're molested, they oftentimes are not given counseling. Sometimes they're rejected from their family. The fathers don't want them, and they often are like, especially if they're a little bit older, it's like, "Oh, hey, you should be happy," instead of... It's traumatizing for them, but nobody wants to even talk about it with a boy. And so, I promised myself that someday I was going to address that issue. And I didn't honestly realize when I started looking at files, what I was really getting myself into. Because you have to talk with professionals and you're looking at some file and you're reading this horrible thing that you don't even want to look at anymore. And then, you talk to a professional and you say, "All right, this happened to them.
00:28:59 / #:
What's going to happen to them as an adult?" And he's like, "Oh, he's not going to be normal. His sexual life is not going to be normal." So now, you're going to have to write about this and try to find a happy ending for him. Because to me, I want to make whoever's had anything close to that experience feel hope. That's what you're trying to do, is say, "There's hope for you. Don't give up." And most of the time I get letters. There's been a few times when somebody has come personally to me, when I'm at a convention or something, they've asked to meet with me, and I've talked to them. Most of the time it's a letter and 99% of the time, and it will start out, "Please continue to read this, but I was going to kill myself. And then, I read this book." And oftentimes, especially Torpedo Ink, I think, "I can't write another one of these. I just can't do it." And then, I don't know why I get a letter like that, and I think, "Oh, my God, Christine, now you're going to have to write..."
Jennifer Prokop 00:30:22 / #:
Keep doing it.
Christine Feehan 00:30:23 / #:
"Now you're going to have to write another one." And it's interesting because not everyone gets that those books are about trauma. They don't see it. They don't. And that's always interesting to me, that not everyone gets what the book is actually about. I try to put on there to be careful about reading it. There's triggers for people... But people sometimes just don't see that.
Sarah MacLean 00:30:55 / #:
One of the things that I keep coming back to as you're talking is Jen and I talk a lot on the podcast about how we bemoan the way paranormal has faded over the last decade. And one of the reasons why is because it feels like there seems to be so much more anger and confusion and frustration, and all the things that are happening in the world right now. Paranormal, in so many ways, makes us look at those traumatic or those dangerous or angry or wicked things and face them.
00:31:41 / #:
You said this is about hope, and we always talk about romance as the literature of hope. That is the promise. So, I wonder if you could talk a little bit about, as somebody who we really do think is without you, paranormal would not be here in the way that it is. How does paranormal... How did coming to paranormal and writing paranormal and building the sub-genre happen during that time? I mean, obviously, you told the remarkable story about how the Carpathians came to be, but you've never gone away. You've never left that paranormal world. Even when you do leave it, there's always a vibe, right?
Christine Feehan 00:32:29 / #:
Yeah. Well, because for me, I know that other people don't really believe so much in all those things, but I think the world is so big and there's so many interesting unsolved mysteries in it, and I can't stop doing research. I'm like the research nut, and I find everything so fascinating. And I don't necessarily... I know we use the word paranormal, but I always think there's so much out there. And so, to me, I just think maybe it's really all true, and we haven't caught up with it yet. So, to me, it's just extending my imagination and then, trying to find reality in it. And I try to put the book at least 80% facts. I mean, twisting those facts into my fictional world. And then, just a small amount of the paranormal so that when people read it, they're like, "Oh, this could happen. This could be." When I did Lightning Game, most of that was reality. I mean, it's amazing what they're doing with lightning, and you look at it and go, "Holy moly."
Sarah MacLean 00:34:07 / #:
So, could you talk a little bit about that paranormal? I mean, I'm using paranormal now, respecting what you just said, but at paranormal as a subgenre of romance. During that boom, where it just felt... I mean, it just felt like everyone was writing these kind of big, expansive worlds with these heroes who were just larger than life and these heroines who just could match them step for step. What was going on there? Are you able to look back on that time and go, "Oh, this is why we were all doing this thing together." Or, "This was why readers were really drawn to us?"
Christine Feehan 00:34:59 / #:
I think that different times call for different things. People are, at times, they need certain things in their lives, and they're looking for heroes and they're looking for things that make them happy. Unfortunately, I don't honestly know what's happening right now, where everybody seems so angry and weird with each other. It's so strange to me. I don't understand that, but I'm getting kind of old. But I think everybody's imagination was really big and everybody at that time really accepted it. And they went all out and readers were like, "Hey, what do you have for me? I'm willing to read it." And they went for it. So, I think that was a really good time, and people were in a good place. And as things started to crumble, the economy and whatever, then I think that things sort of went downhill. And also, when you get too many people doing the same thing, it runs out. You can only do so many of the same types, and then it gets... There's a lot of repetition. And maybe towards the end, there might have been, I don't know.
Sarah MacLean 00:36:50 / #:
Were there other writers who you were friendly with, who you were in your group, were inspiring you during that time?
Christine Feehan 00:37:02 / #:
Not in my group. I had a very core group, but I will tell you, I read Mary Janice Davidson, and she made me laugh so hard. I am not the best at writing humor. When I read her, I would laugh so hard and I would just about die. She made me laugh so much. There were certain ones that you'd pick them up and to be honest, I didn't read much in my own genre because I didn't want to step on somebody's voice, but I couldn't help it with her. Every time she had a book come out, I'd go get it, because she just was so funny. But like I say, I don't write very humorously, and I try, but my humor falls flat.
Jennifer Prokop 00:38:01 / #:
So, did you join R.W.A., you mentioned, sort of not knowing what it was? Was that something that-
Christine Feehan 00:38:09 / #:
I had to, at one point, because my house... I was with Dorchester at the time when I first... They were the only ones who would read my book and then they bought it.
Sarah MacLean 00:38:19 / #:
Who was your editor there?
Christine Feehan 00:38:21 / #:
Alicia Condon. Alicia Condon. Okay. Okay. And she was wonderful. She was.
Sarah MacLean 00:38:26 / #:
And she acquired you at Dorchester?
Christine Feehan 00:38:28 / #:
She did, yes. And people always said things about Dorchester, but they gave new authors a chance when nobody else would.
Sarah MacLean 00:38:37 / #:
And took such risk in terms of the content of the books. I mean, I was saying to Jen before we started that one of my very favorite... I write historicals, and one of my very favorite historicals is The Madness of Lord Ian Mackenzie, which, the hero... It's such a different kind of historical, and I just can't... I think it benefited from Dorchester.
Christine Feehan 00:39:03 / #:
I think that they did a really good job at getting people seen when nobody else would even look at them. Not one other house would've... Well, they wouldn't...
Sarah MacLean 00:39:17 / #:
Sure. Vampires, right?
Christine Feehan 00:39:19 / #:
Right, they wouldn't look at it. And she did, and she picked it up, so that was pretty amazing of her to do that.
Sarah MacLean 00:39:29 / #:
And then, you were with Dorchester until Dorchester folded?
Christine Feehan 00:39:34 / #:
I was already being looked at by Berkley. Cindy Wong had already made an offer for me, and I've been with her ever since. She's been my editor for years and years and years. So yeah, I was already with Berkley at that point, but they had a bunch of my books still.
Sarah MacLean 00:39:58 / #:
Because you're such a fast writer. Now, were you build... Now, how was that working? Were you pulling things out from under the bed or...
Christine Feehan 00:40:06 / #:
No, no.
Sarah MacLean 00:40:07 / #:
The bad manuscripts are still under the bed.
Christine Feehan 00:40:09 / #:
No, because the ones under the bed were not polished and they weren't that good.
Sarah MacLean 00:40:15 / #:
I don't believe it, but okay.
Christine Feehan 00:40:16 / #:
No, they're not that good.
Sarah MacLean 00:40:20 / #:
So, because you're so prolific as well, what is it? Almost a hundred books, is that right?
Christine Feehan 00:40:27 / #:
Yes, very close to a hundred books.
Sarah MacLean 00:40:30 / #:
And so, you are really... I mean, you still writing really quickly. You're writing at a self-published pace.
Christine Feehan 00:40:39 / #:
I actually am slowing down a little bit so I can go visit occasionally. Go see my mom, and not my mom, my sisters, occasionally. I have a lot of sisters.
Sarah MacLean 00:40:53 / #:
And do you feel like... You have a big fam... You have a large number of children, a lot of sisters. Do you feel like that those kinds of relationships are part of why you have been drawn so much to Pax? I mean, big communities of characters.
Christine Feehan 00:41:13 / #:
Yeah, I've always loved being in a big family.
Jennifer Prokop 00:41:18 / #:
This week's episode of Faded Mates is sponsored by Lumi Labs, creators of microdose gummies.
Sarah MacLean 00:41:24 / #:
So Lumi Labs, our old friends, you've heard us talk about microdosing and the concept of microdosing before on the podcast. It's commonly associated with psychedelics, with wellness, performance enhancement and creativity. If you're looking to consider microdosing, you can do a quick Google search or you can go to microdose.com and learn more about how taking a microdose gummy might help you just with a little bit of mood enhancement with maybe helping you sleep, which is what they do for me.
Jennifer Prokop 00:41:57 / #:
For me too.
Sarah MacLean 00:41:58 / #:
Pain, anxiety. Eric takes them for creativity and a general kind of joyfulness across the day. He said to me the other day, "You know what the thing is about these gummies? You take one and you just like, an hour and a half later, just feel like, "I feel like I'm in a good mood."
Jennifer Prokop 00:42:17 / #:
Yes. And listen, we all need that these days. If they didn't put me to sleep, they would definitely help me feel like I was in a good mood. Anyway, microdosing is available nationwide, and we have all tried these gummies, and we think you might enjoy them too, if they're something you're interested in.
Sarah MacLean 00:42:37 / #:
So, you can go to microdose.com and use the code Fated Mates to get 30% on your first order. They have all different kinds of flavors you can try. I'm a particular fan of cotton candy. Lately, I also like one that's orange flavored, so you should try, check it out, give it a try. And thanks, as always, to Lumi Labs for sponsoring this week's episode. Another interesting hallmark of your career is that you have several, very long-running series that you're essentially writing concurrently. And so, this is unusual. A lot of people will start and finish a series and you have a bunch that just are kind of continuing. So, what's your process for deciding what's next, keeping it all straight? That seems like a huge job.
Christine Feehan 00:43:40 / #:
It's very strange, my brain, how it works. A character will come to me and say, "I want my story told." And I can't write... I couldn't write two Carpathian stories in a row because I'd be bored with that world. So, I write that story and then, while I'm writing that story, all of a sudden, another character from another world will jump into my head and start pushing at me. And I have tell it to be quiet. Like, "It's not your turn yet. Wait till I'm finished." And then, that one will will... A lot of times now, because I'll have a contract and they'll want the stories in a certain order order. And so, I had to train my brain to say, "It's going to be like this." And if they mess up the order on me, it's actually difficult now, because my brain would be like, "We have to do it this way."
Jennifer Prokop 00:44:48 / #:
I'm not going to get the titles right, but the head of Torpedo Ink was the husband of the end of the series with all the sisters?
Christine Feehan 00:45:00 / #:
Right, yeah. Mm-hmm.
Jennifer Prokop 00:45:00 / #:
So, when characters intersect in that way, is that a surprise to you?
Christine Feehan 00:45:07 / #:
Because I wasn't planning on publishing Torpedo Ink. I wasn't going to. And when I had that in there, Cindy said to me, "Do you have these other characters..."
Sarah MacLean 00:45:21 / #:
We have this guy.
Christine Feehan 00:45:23 / #:
And I said, "Well, yeah, but I don't think they're something that I could publish because it's a pretty raw, edgy series." And she said, "Well, let me read it." And that's kind of how that ended up getting published.
Sarah MacLean 00:45:40 / #:
We've had several people on who are edited by Cindy, and it sounds like she is one of those editors who is willing to just again, take the risk with you and trust you to move forward.
Christine Feehan 00:45:55 / #:
She will take a risk. Yeah, she will. She's not-
Sarah MacLean 00:45:56 / #:
That's amazing.
Christine Feehan 00:45:57 / #:
She's pretty fearless, and she's not afraid. If I went to her and said, "I'd like to publish this." And it's like out there, she would say, "Go ahead and write it. Let's take a look at it."
Jennifer Prokop 00:46:14 / #:
Have there been other editors, publishers, I don't know, art directors?
Sarah MacLean 00:46:21 / #:
Oh, wait, can we talk about those early covers, first of all?
Jennifer Prokop 00:46:24 / #:
Oh, yeah.
Sarah MacLean 00:46:25 / #:
So, I'm so fascinated but... Listen, I could talk about romance novel covers all day every day. In fact, Jen will tell you, I kind of do, but those early covers, so that first cover of Dark Prints is a clinch. It's like a historical clinch, presumably because no one knew what the heck to do with these books, right?
Christine Feehan 00:46:45 / #:
Right.
Sarah MacLean 00:46:45 / #:
And then, can you walk us through... Are you able to remember or recall how paranormal became... How it started to look the way it did? Why we moved away from those clinches?
Christine Feehan 00:47:01 / #:
Well, there were funny, funny things that happened with some of them.
Sarah MacLean 00:47:05 / #:
I love it.
Christine Feehan 00:47:07 / #:
It was Jacque's book and they put him on the cover, and I said, "Well, this cover his spine." Except that he had, or she had red hair. It was a clinch cover, so they washed the cover red.
Sarah MacLean 00:47:32 / #:
Oh, my gosh. The whole cover?
Christine Feehan 00:47:34 / #:
The whole cover. So he is like sunburned. I called him Lobster Boy after that.
Sarah MacLean 00:47:41 / #:
What book is this?
Christine Feehan 00:47:44 / #:
It was Dark Desire.
Sarah MacLean 00:47:45 / #:
I'm looking it up right now.
Christine Feehan 00:47:48 / #:
So, he literally has... He's red and so-
Sarah MacLean 00:47:53 / #:
I think I know what this is.
Christine Feehan 00:47:55 / #:
I did. I called him Lobster Boy. So, every time anybody would refer to him, I would think, in my head, I'd turn it around and he'd be Lobster Boy.
Sarah MacLean 00:48:03 / #:
Oh, no.
Christine Feehan 00:48:06 / #:
And my girlfriend, one of my friends, she just loved him. She called him Pooky face. She'd be like, "Don't you call my-"
Sarah MacLean 00:48:14 / #:
He's orange.
Christine Feehan 00:48:16 / #:
Yes. He is.
Sarah MacLean 00:48:19 / #:
Everybody look down in your podcast right now. We'll show it to you. Yeah, he's orange.
Christine Feehan 00:48:24 / #:
Yeah.
Sarah MacLean 00:48:26 / #:
How funny.
Christine Feehan 00:48:27 / #:
Yeah. And here's the other thing that happened with that book. This is just a little... So, it starts off with, there was blood in the River of It Running or something, the first sentence. And I had worked on that first chapter a million ways, and he's insane. I mean, when he comes awake, he's totally insane. And if you don't know what happened to him, you would hate that guy because he's an ass. So, you have to start out with him and knowing what happened to him. And I think I wrote that first chapter 40 Different Ways. Well, when they got the book, they're like, "We have to change this first chapter because they have to know that it's a romance, and you can't start out this way." I'm like, "No, I'm not changing it."
Sarah MacLean 00:49:25 / #:
How funny.
Christine Feehan 00:49:27 / #:
I go, "Toss the book." "We're not tossing the book."
Sarah MacLean 00:49:36 / #:
Amazing. No. And then, when we first got on with you and you said, "Well, I don't know. Am I a trailblazer?" Christine, Christine...
Christine Feehan 00:49:43 / #:
Here's why.
Sarah MacLean 00:49:44 / #:
This is how paranormals begin, now with the heroes in trauma and then, you just sort of ride the wave until you get to the kissing parts.
Christine Feehan 00:49:54 / #:
I finally just said, "You know that Clinch cover? They're going to know it's a romance."
Sarah MacLean 00:50:00 / #:
Right, exactly. I think they'll know. So, at what point did it feel like... I mean, this is obviously a market thing. This is how the sausage is made a little, but when does everybody realize, "Oh, paranormals need a different look"? Is that just because it started to become... So the market just became more exciting?
Christine Feehan 00:50:21 / #:
I really think when I moved over to Berkley, I think that the marketing people at Berkley kind of-
Jennifer Prokop 00:50:32 / #:
Figured that out.
Christine Feehan 00:50:33 / #:
Yeah, they were the ones. For me, for my team, they were the ones who kind of said, "Okay, we're going to do this differently." Interesting enough, in Germany, my books, all of them, even the Ghost Walkers, all of them have bats on the cover.
Jennifer Prokop 00:50:57 / #:
Okay. Sure, sure.
Sarah MacLean 00:50:57 / #:
It's a can of soup, right?
Jennifer Prokop 00:51:00 / #:
I know. I'm like, "Does Saphian mean Bat and German?" I don't know.
Sarah MacLean 00:51:03 / #:
That's funny.
Christine Feehan 00:51:04 / #:
Maybe. What else?
Sarah MacLean 00:51:05 / #:
Yeah.
Christine Feehan 00:51:07 / #:
They do very well but...
Sarah MacLean 00:51:10 / #:
Hey, listen. If it ain't broke, right?
Jennifer Prokop 00:51:14 / #:
You can tell I really love your books, but one of the things Sarah and I have talked about a lot is romance comes and goes, right? The way that what's popular as a trope, what kind of sub-genres are popular, what kinds of hero archetypes are popular. These things change over time. And right now, the romance hero has changed a lot, but I don't necessarily think that your romance heroes has have changed a lot. So, how do you... I don't know. Do you feel the push of market forces, or it doesn't matter, your readers are...
Christine Feehan 00:51:57 / #:
I don't look at trends and I don't look at that kind of thing at all. I have to go with whatever I'm passionate about and I have to go with whatever character's in my head, and I just hope my readers will love the story and love the characters. I write the best book that I can. I try every single book to improve and give a better story and sometimes, I succeed. I do my best, but there is no way that I can write a story to the market. It's not going to happen. And I know that, so I don't even try.
Sarah MacLean 00:52:41 / #:
Well, what's amazing is you've made a career out of arguably not writing to market. You wrote vampires before vampires were cool. You moved to shifters before everyone else moved to shifters and it's amazing, the inspiration that you give writers is write your truth.
Christine Feehan 00:53:03 / #:
Well, the series that I'm doing, I know it's a bad thing to call it the murder series. I really shouldn't-
Sarah MacLean 00:53:10 / #:
Not for me.
Jennifer Prokop 00:53:13 / #:
I think that might be more to market than we'd like to admit, honestly.
Christine Feehan 00:53:17 / #:
Well, I got into that one because one of my daughters does a lot of climbing. She used to live in Bishop, which is up in the mammoth area near Yosemite. And she knows these women and all of them have these incredible stories. And they all became friends, and they would go climbing together, and I would listen to their stories of where they came from. And then, they have these insane jobs. And I was thinking, "Wow, this is amazing." And one day, they were telling me about this hike they'd gone on, and I thought, "what a perfect place for a serial killer." I'm like, "Okay..." They were all going to go on a hike together and camping. And I said, "Okay, girls, I really want you to start looking around for a place where a serial killer might be hanging out, ready to-"
Jennifer Prokop 00:54:20 / #:
Just report back.
Sarah MacLean 00:54:20 / #:
It's totally fine.
Christine Feehan 00:54:24 / #:
So, after that, I started having the girls, every time they go someplace, do that for me. And the next thing I know, they're taking tasers with them.
Sarah MacLean 00:54:34 / #:
I was going to say they stop hiking. They're done with that now.
Christine Feehan 00:54:38 / #:
I kind of ruined it for them. We're talking murder every time we go to the restaurants.
Sarah MacLean 00:54:48 / #:
So, one of the questions that we often ask is, what's the hallmark of a Christine Feehan romance? When a reader picks up a Christine Feehan novel, one of your nearly-100 of them, what do they know they're going to get?
Christine Feehan 00:55:06 / #:
Well, for sure, they're going to get a happy ending. Absolutely sure they're going to get happy ending. I write, always, about, I think, hope and about finding your own version of family. It doesn't matter what the setting is or what the drama that has been... It's about... Or what I want to say genre, but of course, it's romance, but it could be military, it could be suspense, it could be anything. But set in that, there has to be that hope and the finding of family and that happy ending. That's what you're going to get. That's what you're going to find.
Sarah MacLean 00:56:04 / #:
And we didn't talk about this, but it's also going to be super sexy.
Jennifer Prokop 00:56:08 / #:
Oh, yeah.
Sarah MacLean 00:56:09 / #:
And I feel like we should sort of touch on this because I do feel like for me, those early Feehans were-
Jennifer Prokop 00:56:20 / #:
And the late ones.
Sarah MacLean 00:56:21 / #:
No, no. I mean, for me though, Sarah, when I stumbled upon Christine Feehan in the bookstore, it felt like I'd never read anything like this before. And I wonder, can you talk a little bit about that, about really bringing sex to the genre in a lot of ways? I feel like there was, not that it didn't exist before, but there's something about the Feehan sensuality that is different.
Christine Feehan 00:56:53 / #:
Well, to me, the characters are really real. People have asked me that before. I'm not in the book at all. When I'm writing that book, it really is the characters. I don't plot out the book. So the characters are so real to me that I know everything about them from the time they were little. And so, when they're moving through that story, it's all about them. And they're the ones that are having sex or not having sex or whatever's happening to them.
00:57:33 / #:
And so, I'm not somebody who will ever cut and paste a love scene. You're not going to get the same one because they're always... It's a different couple. And so, they react differently to each other and to whatever situation is going on. And I step back so far when I'm writing that I'm not there, and really, it's almost plays out like it's reality for them. And so, to me, it's just part of life. I don't get embarrassed. It's just part of life, and I put that in. And part of the reason for that, and I know this is going to sound crazy, but so many girls that had had these terrible things happen to them would be very promiscuous, but they never felt anything. And I would say, "It's because you don't have a good partner. You're not in love with your partner. He's not doing anything for you." So, I wanted them to know what good sex was, and if you have a book that you can read when no one's around and you can see what good sex is, then it's... When you have a partner, and I can tell you, this is another thing I get lots of letters.
Sarah MacLean 00:59:16 / #:
Oh, interesting. I believe that.
Christine Feehan 00:59:20 / #:
I even had letters from guys who told me they would not cheat on their wives, military guys, because they realized that their wife was too important to them. And I mean, it's amazing. And writers should realize that the words they put down touch people. And you don't know who you're going to touch, and you don't know what you say, what it's going to do to somebody. I mean, when I write something, I don't know who it's going to affect. But I deliberately did put sex in my books for that reason, because I wanted people to know there is good sex. No, that there is, and you should feel something.
Sarah MacLean 01:00:19 / #:
And I love the way you talk about it, as you are so distant from the book itself, you are just writing the book. And I think that's really what a Feehan... That's why it feels so different as a reader or did. In those early books, they felt transcendent because they did feel intense and passionate in that way, that sort of private way.
Christine Feehan 01:00:46 / #:
Yeah. Now, when I started the Leopard series, that was kind of my nod to erotica. Yeah, erotic wasn't a huge, huge thing then. Now, it kind of is, but it wasn't at the time. And so, I was like, "Okay, I'm going to just do a little bit of that." And that was before to Torpedo Ink. And so, I thought, "Oh, I'll put that in my leopard one because it made sense to go there." But then, I started writing Torpedo Ink and I'm like, "Uh-oh, now I've got two."
Jennifer Prokop 01:01:23 / #:
Yeah. That's hot, everybody. I'm okay with it.
Sarah MacLean 01:01:29 / #:
No, the Leopard series. I mean, I remember coming to the Leopard series and just feeling like nobody had ever done anything like that before.
Jennifer Prokop 01:01:38 / #:
Yeah. So, I think the question we love to end with is... So, it's kind of a two-part question, I guess. One is, there a book that you hear about over and over again from readers? And then, the question we have for you is there a book of yours that's your favorite, the one that you are most proud of?
Christine Feehan 01:01:58 / #:
Well, the one I hear about all the time from Readers is Dark Celebration. Every single person wants me to write that book over and over and over.
Jennifer Prokop 01:02:11 / #:
They can just reread it. They can reread it. Reread it, everybody.
Sarah MacLean 01:02:13 / #:
It slaps every time.
Christine Feehan 01:02:16 / #:
It's so funny.
Sarah MacLean 01:02:17 / #:
And why do you think that is?
Christine Feehan 01:02:19 / #:
I think because it revisits characters they love.
Sarah MacLean 01:02:22 / #:
Yes.
Christine Feehan 01:02:24 / #:
I think that's it.
Sarah MacLean 01:02:25 / #:
It's reader Karen Feeding, right?
Christine Feehan 01:02:28 / #:
So, I think that that's it. What book would I be the most proud of?
Sarah MacLean 01:02:35 / #:
Or the one that's most special to you? People take it in different ways.
Christine Feehan 01:02:41 / #:
Probably the one that's the most special to me is Dark Prince, for obvious reasons. That would probably be the one, I would say.
Sarah MacLean 01:02:49 / #:
Well, thank you for being with us today.
Jennifer Prokop 01:02:51 / #:
This was incredible. Thank you so much. Thank you for joining us and it's really an honor.
Christine Feehan 01:02:59 / #:
I really enjoyed being with you. Thank you for inviting me.
Sarah MacLean 01:03:06 / #:
Every single one of these goes differently.
Jennifer Prokop 01:03:10 / #:
Yeah, it's amazing. I think the thing I liked about our conversation with Christine is how personal it felt. I mean, obviously, not just the stories that she shared, but just you can really feel how reading and writing and thinking about hope and happily ever afters is really something she spent her entire life on. And there's a way that I think that just really came through in that conversation. It was so fascinating.
Sarah MacLean 01:03:39 / #:
Absolutely. She talked a few times about how readers have approached her and talked to her about how special her books are to them and how moving they are and how inspirational and important they are to readers. And every time she told them, I had the same thought, which was, "I think it must be really wonderful to have a conversation, a personal conversation with Christine." She feels like she's present in the moment the whole time, and it was really special.
Jennifer Prokop 01:04:14 / #:
I get very distracted by people. I feel like even in my classroom, I'm kind of constantly doing 800 things at once, but you really feel that she probably is such a great mom and a grandma. You know what I mean? Like the attention that she really gives and the way that she talks about... I mean, I'm fascinated too by people who say, "I am a writer. I've always been a writer. I love writing. There's 300 books under the bed."
Sarah MacLean 01:04:41 / #:
A Compulsive Writer. I love that. The sort of, "I would've written with or without publishing." I loved that story about how she got dragged up to an R.W.A. meeting and everybody was like, "Well, I've been working on the same thing for a while." And she's like, "I have 300 books, but I never intended to do this."
Jennifer Prokop 01:05:00 / #:
I also think that that goes hand in hand then with not really worrying about "the market". So, when you are writing in that way and you've had success writing in that way, and you've had readers respond to you in that way, then I think it's really powerful to see someone stay the course.
Sarah MacLean 01:05:24 / #:
I feel like if you are out there right now and you are looking at a manuscript and you think it won't sell you because of the market, hearing Christine talk must be so important and inspirational for you, because we've talked a lot about... We've talked to people like Jayne Ann Krentz, I loved, as she mentioned, Jayne. We've talked about Jayne... When we talked to Jayne, when we talked to J.R. Ward, we've heard the story of people who change genres because, as J.R. Ward puts it, they were fired or it just wasn't selling, so they pivoted. And we've talked so much about how writers have to be nimble to thrive in the genre. And I think what's fascinating is that Christine is nimble and she is full of ideas and shifting and changing, but she stays really true to her brand and to her point of view. And I think that's a really valuable thing to hold onto right now, especially, as we see romance really grappling with those big questions about what comes next and have we oversaturated and these kind of big issues.
Jennifer Prokop 01:06:40 / #:
We didn't have a chance to ask her. She has re-released some of her romances.
Sarah MacLean 01:06:45 / #:
Oh, we meant to ask.
Jennifer Prokop 01:06:46 / #:
I know, as a sort of-
Sarah MacLean 01:06:48 / #:
And then, we got distracted.
Jennifer Prokop 01:06:49 / #:
Author's cuts. With the rise of self-publishing, I think there's a way in which... There's always a market for something. There's always a small dedicated group of readers who are looking for whatever it is that you are selling. It's traditional publishing that has... It can't quite have that leeway to just be like, "Yes." And so, it's really interesting to hear her talk about that Dorchester imprint taking a chance on her and the difference that made. And it's funny because that is not a... I mean, Dorchester, I feel like is not a name I've even ever heard spoken about before in romance.
Sarah MacLean 01:07:36 / #:
I mean, it's really fascinating because I hadn't thought of Dorchester until-
Jennifer Prokop 01:07:42 / #:
We were prepping.
Sarah MacLean 01:07:42 / #:
I was doing research. We were prepping for this episode. You guys, these are the only episodes we actually prep for. We do actually do research before we talk to these people because we are trying to get them to think we're intelligent and so, we know what we're doing. But no, I mean, Dorchester... And now, of course, I want to go back and look a little more at Dorchester. But I was thinking about our conversation with Radcliffe, when we were talking about how these small presses were really the places where big adventures were happening in romance. And obviously, for Radcliffe and for E.E. Ottoman, that was a different kind of thing, that was happening because queer presses had to publish queer books because traditional publishers weren't doing that. But paranormal, I think about those digital-only presses, again, those kind of Ellora's Cave and Sam Haynes and those places that were taking big risks. And so, it doesn't surprise me that one of the mothers of paranormal came up through a place that doesn't exist anymore.
Jennifer Prokop 01:08:56 / #:
This is something I don't... I don't know that I've ever heard any author explicitly state as clearly, which is when you write from a place... When she told that, I mean, heartbreaking story of her son's death, that somehow there are some readers who can plug into that and see a, I don't know, see themselves in that too. And I think that's one of the things, we talk so much about romance being about the genre of hope, about feelings. Romance is about feelings, but it's our feelings as readers too. And I think that this is something that I was really impressed at how clear-eyed it felt like she was about that relationship. If I'm writing from this place, it's going to find the readers in that place.
Sarah MacLean 01:09:55 / #:
And I also think there is... Talk about a fearlessness in terms of character and theme, because she really does write about trauma. And maybe we'll put in the show notes a link to the discussion that Jen and Adriana Herrera have had about writing trauma and how romance and trauma kind of do go hand in hand a lot. But it's interesting because I think writing trauma is a thing that we are talking about a lot in the industry without talking about it, really having conversations about how you put these things on the page so that characters and writers and readers can see it in a raw way. I think she even used that word, raw. And these books are not for the faint of heart. They are rough reads, and she is writing into that space in a way that I think a lot of us are afraid to do. And I think it's because she clearly has seen it, she's faced it. And I loved every minute of that conversation.
Jennifer Prokop 01:11:19 / #:
Romance gives me so much. But when I kind of interact with someone who has the same root causes, and I've talked about this before. I started reading romance after my parents got divorced. The pain of that was the only thing that made me feel hope and better, was reading romance, that there are people out here who have also gone through painful things and they find a way to love each other. And so, it really is interesting, I think, for me, when you talk to someone who, I don't know, talk about the branches of the romance tree. It feels like we were planted in the same ground.
Sarah MacLean 01:12:01 / #:
Yeah. Yeah. Gosh, that was a very cool conversation. I mean, I should have expected it to be, but...
Jennifer Prokop 01:12:10 / #:
A lot of our trailblazers were really pushing for, "Tell us the story of publishing. Tell us your story through that journey." And that's not what her story was about, and I loved hearing it. It was amazing.
S05.29: Spring Romance Recommendations: Sarah & Jen fill your TBR
We were together for the first time in a while, so we decided to record on Sarah’s couch! We answer questions from the audience at Fated Mates Live, recommend Spring romance novels, fill your TBR pile and bantr. It’s nice.
Next week, we’re reading Tracy MacNish’s Stealing Midnight—we’ve heard the calls from our gothic romance readers and we’re delivering with this truly bananas story, in which the hero is dug out of a grave and delivered, barely alive, to the heroine. Get ready. You can find Stealing Midnight at Amazon, B&N, Kobo, or Apple Books.
Show Notes
We had a great time at Fated Mates Live! Thanks to everyone for coming, to The William Vale for being a great location, and to Word bookstores for selling books. Producer Pat from Learning the Tropes was Eric’s co-producer that night! A huge thanks to Grand Central/Forever, Sourcebooks, and Berkley Romance for donating books for us to give away!
If you are ever in Williamsburg, you should go ahead and order some pizza. Jen ordered from Mo’s General and it was delicious.
A primer on the Model Minority Myth.
Some real life examples of people dancing themselves to death. A Splash of Cream at the Alabaster Cafe came out 6 weeks after Morning Glory Milking Farm, but also correlation does not imply causation.
Books Mentioned This Episode
Sponsors
Katherine Grace, author of Just a Fling
Available now from Amazon, Barnes & Noble, Kobo or Apple Books
and
Goldie Thomas, author of The Rake and the Fake
Available now from Amazon, Barnes & Noble, Kobo, or Apple Books
S05.28: Women's Friendships in Romance with Sophie Jordan
Sophie Jordan is back again! She’s got a new book out, The Countess, the first in her Scandalous Ladies of London series, featuring a true Regency squad full of scandalous ladies and answering the question: What if the Real Housewives were actually Regency-era aristocrats? We talk about friendships in old school romances, about why groups of women are game changers in fiction and in real life, and fill your TBR with groups you will absolutely wish you could be friends with.
In two weeks, we’re reading Tracy MacNish’s Stealing Midnight—we’ve heard the calls from our gothic romance readers and we’re delivering with this truly bananas story, in which the hero is dug out of a grave and delivered, barely alive, to the heroine. Get ready. You can find Stealing Midnight (for $1.99!) at Amazon, B&N, Kobo, or Apple Books.
Show Notes
Welcome Sophie Jordan. Her newest release, The Countess, is the first in the Scandalous Ladies of London Series. It’s loosely based on the reality TV show, The Real Housewives. Stay tuned at the end of the episode for the first two chapters of The Countess in Audiobook.
In horror, “the final girl” is a trope about who survives.
Check out the Pocket Bookshop next time you’re in Lancaster PA.
Enid is a secondary character from several of Sophie’s books in The Rogue Files series.
Check out the Ice Planet Podcast if you’re a fan of the series.
Books Mentioned This Episode
Sponsors
The VOW Together Collective, authors of
the LGBTQ+ Longsummer Nights anthology.
Get it at Kobo, or directly from the Collective at Itch.io
and
Victoria Lum, author of The Sweetest Agony
Available in print or at Amazon,
or with a monthly subscription to Kindle Unlimited
S05.27: Teachers and Librarians in Romance
We’re talking about teachers and librarians in romance today, but don’t worry — not hot-for-teacher kinds of teachers and librarians (someday, Sarah will do that one on her own, maybe). Instead, we’re talking about romances with main characters who are teachers or librarians, in honor of the hardworking, committed teachers and librarians who are fighting book bans all across the United States right now.
And speaking of book bans…we’ve got author, activist and our friend Jarrett Dapier back with us this week to talk about the upcoming Spring off-cycle elections that are taking place around the country in the coming weeks…and how book bans are on the ballot in so many places right now. We encourage you to check the dates of your local elections, and make sure that if school or library board positions are on the ballot, you’ve done some research before you head to the polls!
This episode has some unfixable audio deficiencies. Sorry about that.
You can still get tickets to Fated Mates Live! Join us this Friday, March 24 in New York City with Tessa Bailey, Andie J. Christopher, Mila Finelli, Adriana Herrera, and Joanna Shupe! Amazing stories will be told, many laughs will be had, terrific books will be on sale, and there will be a bar! Get tickets now!
Our first read along of 2023 (soon! we promise!) is Tracy MacNish’s Stealing Midnight—we’ve heard the calls from our gothic romance readers and we’re delivering with this truly bananas story, in which the hero is dug out of a grave and delivered, barely alive, to the heroine. Get ready. You can find Stealing Midnight (for $1.99!) at Amazon, B&N, Kobo, or Apple Books.
Show Notes
Welcome Jarrett Dapier, author of Mr. Watson's Chickens, back to the podcast. He was a guest on our first book banning episode, click to listen and see the show notes. This is a time for action, not just being a keyboard warrior. Check our your local paper if you have one, your school district website, and your library’s website.
Wondering if there are upcoming elections in your state? Check out Rock the Vote and click on your state. You can find information about off-cycle elections, which is what non-November election are called (not “off brand” as Sarah accidentally said on the pod.)
Moms for Liberty is bad, actually. These groups trying to ban books continue to ramp up their efforts—they are specifically targeting books with any kind of queer characters, regardless of sexual content, books with people of color, and books that tell the accurate story of our history. Other states are looking to ban books with any kind of sexual content. If you are looking for the big picture, you must follow the censorship tag at Book Riot. Reporter Kelly Jensen has been on the front line of this story for years, and if you’re looking for resources this monster thread she keeps pinned to her twitter profile has ideas for how to take action. You should also check out this list to find an anti-censorship group to join in your area.
The story about the library board in Niles, Illinois; an exciting new Right to Read law making it’s way through the Illinois state congress could be duplicated in your state! Call your local rep and senator and tell them you support the freedom to read. Author Laurie Halse Anderson is a model for how you can show up.
As for book recommendations this week, check out the list of romances about librarians from SuperWendy, and this list from Jessica Pryde, Hot for Teacher (but not Mine). And last but not least, Jen’s list of Who Did it Better in the Library.
Books with Teachers and Librarians
Sponsors
Marie Blanchet, author of Skin Deep
Get it at Amazon, Kobo, or Barnes & Noble
and
Lumi Labs, creators of Microdose Gummies
Visit microdose.com and use the code FATEDMATES
for 30% off and free shipping on your order
S05.26: Dueling in Romance with Chels: Duels are Never Having to Say You're Sorry
Pistols at dawn, y’all! We’re talking about duels today — what they are, why they exist, who fights them, their rules and why they’re so darn sexy when they are really just silly. We’re taking our twenty paces alongside Chels_ebooks, one of our favorite BookTokkers, who has a longstanding love of old school romances and their covers, and a substack that you should subscribe to immediately. Of course, we’re talking TikTok, too. This one is long and fun and full of book recs, so strap in!
You can still get tickets to Fated Mates Live! Join us on March 24 in New York City with Tessa Bailey, Andie J. Christopher, Mila Finelli, Adriana Herrera, and Joanna Shupe! Amazing stories will be told, many laughs will be had, terrific books will be on sale, and there will be a bar! Get tickets now!
Our first read along of 2023 (soon! we promise!) is Tracy MacNish’s Stealing Midnight—we’ve heard the calls from our gothic romance readers and we’re delivering with this truly bananas story, in which the hero is dug out of a grave and delivered, barely alive, to the heroine. Get ready. You can find Stealing Midnight (for $1.99!) at Amazon, B&N, Kobo, or Apple Books.
Show Notes
We are thrilled to welcome Chels, the Reigning Monarch of Bodice Ripper TikTok, to the show today. You can also follow them on twitter and subscribe to their substack, The Loose Cravat. In concert with this episode, Chels wrote an essay called Duel, Interrupted: The Underlying Homoeroticism in historical romance's favorite pasttime.
Wondering about those TikTok hit pieces we mentioned? Read the ones from British GQ and London Review of Books. It’s a few years old, but this Wall Street Journal video is a great look at the mysterious TikTok algorithm and how quickly it will rabbit hole you, and a more recent piece from Vox about TikTok’s recent promises to become more transparent, and another one from The Verge about how TikTok suppresses content from disabled users.
The relationship between BookTok and bookselling is complex and difficult to parse because of the lack of transparency around book sales. Check out Where Is All the Book Data by Melanie Walsh, as well as how book-buying habits changed during the pandemic.
Deloping is bad, actually! So If you’d like to learn more about duels, Chels recommends Pistols at Dawn by Richard Hopton and The Duel: A History of Duelling by Robert Baldick. Jen recommends this article about dueling from JSTOR Daily, or this one about American dueling in the Smithsonian, which led her to the Code Duello as one example for the rules of dueling.
Speaking of moral panics, JSTOR Daily has a list of them! I told you it was a good site!
Deuling in pop culture: check out The Duelists by Ridley Scott, this famous scene from Raiders of the Lost Ark, and of course, Hamilton.
For some real historical duels, check out: The billiards balls duel, The topless lady duelers in Austria, additional ladies being badass, Humphrey Howarth the naked dueler, and Burr and Hamilton. Senator Brooks caning Senator Sumner on the Senate floor is another thing entirely.
Finally, check out this page from Loretta Chase’s website which describes and links to several videos about the Singing bird pistols from Lord Lovedon’s Duel.
Books With Dueling
Other Books Mentioned This Episode
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Mila Finelli, author of Mafia Target
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Juniper Butterworth, author of Shipwrecked: Being a tale of true love, magic & goats
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S05.24: Technology in Romance Interstitial
It feels like you can’t turn around these days without stumbling into a story that’s a little unsettling about technology and how we’re all living our lives in this post (sort of) pandemic world. Between Twitter dramz, TikTok explosions and the rise of AI, it’s a lot. So, it’s probably to be expected that we are talking about how technology is impacting romance novels. We’re talking about texting, about FaceTime, about podcasting, and yes…even about robots. If you can use it to fall in love, there’s a romance using it…and we’re recommending a few we really enjoyed.
You can still get tickets to Fated Mates Live! Join us on March 24 in New York City with Tessa Bailey, Andie J. Christopher, Mila Finelli, Adriana Herrera, and Joanna Shupe! Amazing stories will be told, many laughs will be had, terrific books will be on sale, and there will be a bar! Get tickets now!
Our first read along of 2023 (soon! we promise!) is Tracy MacNish’s Stealing Midnight—we’ve heard the calls from our gothic romance readers and we’re delivering with this truly bananas story, in which the hero is dug out of a grave and delivered, barely alive, to the heroine. Get ready. You can find Stealing Midnight (for $1.99!) at Amazon, B&N, Kobo, or Apple Books.
Show Notes
This New York Times article called When the Novel Swiped Right doesn't mention a single romance novel, of course. But don't worry. We've got you. Sarah wrote about tech in romance back in 2019 in the Washington Post.
We are very excited about Ted Lasso season 3, which premiers on March 15, 2023. This is a very nice little teaser is a masterclass in character work, but here’s the trailer.
Also in the New York Times, this creepy article about interviewing the Microsoft Bing AI. Maybe that thing has love on the brain because Microsoft fed the AI a bunch of romance novels at some point. Seems legit. But then this New Yorker article came out and said that ChatGPT is just like a blurry jpeg, so everyone calm down.
Match.com was invented in 1995, but it was the invention of the dating app a decade ago in 2013 that really changed the game. And if you’re famous, you can get on Raya.
Kevin Costner is relevant again! Everyone, time to reread Perfect.
The pager situation was wild, but Sky Pager is a truly great song by A Tribe Called Quest, off of The Low End Theory, one of Jen’s all time favorite albums. Poet Hanif Abdurraqib has written an entire book about A Tribe Called Quest called Go Ahead in the Rain for the fans out there.
Watch this cute video about the guy who built a house for the frog living on his fence. And when it comes to the internet, cats rule and dogs drool.
Books Mentioned This Episode
Sponsors
Jo Brenner, author of You Can Follow Me
Get it now from Amazon, or with a monthly subscription to Kindle Unlimited.
and
Lumi Labs, creators of Microdose Gummies
Visit microdose.com and use the code FATEDMATES
for 30% off and free shipping on your order
S05.23: Books We Wish We Could Read Again for the First Time
Every once in a while, we decide we’re going to do an episode about books we just really really really like. Books we want you to really really really like. Is that episode usually in February? Does it coincide with Sarah’s book deadline? Don’t worry about it. This one is for the bantr girlies. We’re talking about books we loved so much on the first read that we wish we could reread them again for the first time. Please let us know if you try reading any of them for the first time…and when you do, tell us on Instagram and Twitter. Or Tumblr, where Eric is making fun new friends.
Fated Mates Live is happening! Join us on March 24 in New York City with Tessa Bailey, Andie J. Christopher, Mila Finelli, Adriana Herrera, and Joanna Shupe! Amazing stories will be told, many laughs will be had, terrific books will be on sale, and there will be a bar! Get tickets now!
Our first read along of 2023 (soon! we promise!) is Tracy MacNish’s Stealing Midnight—we’ve heard the calls from our gothic romance readers and we’re delivering with this truly bananas story, in which the hero is dug out of a grave and delivered, barely alive, to the heroine. Get ready. You can find Stealing Midnight (for $1.99!) at Amazon, B&N, Kobo, or Apple Books.
Show Notes
The ReadsRomance family loves Toronto and we where there one year when it was so cold the the falls were kind of frozen? Science! Speaking of the Great Lakes, Lake Michigan is really big, and if you’re around in Milwaukee in the summer, you definitely want to check out SummerFest.
Do you say lightning bug or firefly? This is really fun dialect quiz if you’ve never taken it before.
Jen reallllllly wants to go see this exhibit about the Mayans at the Metropolitan Museum of Art, especially since she missed this one about the Mayan Codex at The Getty Museum in Los Angeles.
If you are ever at the Art Institute, you can check out American Gothic, Nighthawks, and Nightlife by Archibald Motley—all in one room!
I don’t know, invest in an art fund, I guess.
Should we plan a Fated Mates outing to The Museum of Sex?
Books Mentioned This Episode
Sponsors
Dani Collins, author of The Prospectors Only Prospect
Preorder it now from Amazon, Barnes & Noble, Kobo, Apple Books and your local indie.
visit Dani Collins at danicollins.com
and
Carly Lane, author of The Regency Guide to Modern Life
Preorder it now from Amazon, Barnes & Noble, Kobo, Apple Books and your local indie.
find Carly Lane on Twitter
S05.22: K.J. Charles: Trailblazer
Today, we’re welcoming KJ Charles to Fated Mates for our next Trailblazer episode! Known for her work helping to bring queer historical romance to the modern genre, KJ joins us to discuss historical romance, how it remains relevant in the modern world, her work centering queer characters and communities in romance, and the start of her romance career as an editor of Mills & Boon medical romances. We also talk about the arc of her career through early small press publishing, indie publishing, and now, as a traditionally published author.
We hope you enjoy this conversation as much as we did, and we are so grateful to KJ Charles for joining us.
Thanks to Kylie Scott, author of End of Story, and Lumi Labs, creators of Microdose Gummies, for sponsoring the episode. Visit microdose.com and use the code FATEDMATES for 30% off and free shipping on your first order.
Show Notes
K.J. Charles is a RITA nominated author of over 25 historical romance novels. You can preorder her upcoming novel, The Secret Lives of Country Gentlemen, which will be released on March 7, 2023. KJ worked as an editor at Mills and Boon, and her blog is an excellent source for romance readers and writers.
If you're looking for the "romance with a body count" infographics, click here.
Authors mentioned: Mills & Boon author Alison Roberts, Mills & Boon author Marion Lennox, author Jordan L. Hawk, author Alexis Hall, author Talia Hibbert, author May Peterson, author Jackie Lau, author EE Ottoman, author Penny Aimes, author Kris Ripper, author Jadesola James, author Therese Beharrie, author Jeannie Lin, editor Anne Scott.
Don’t miss our Band Sinister episode from last December.
Books Mentioned This Episode
Sponsors
Kylie Scott, author of End of Story
Get it at Amazon, Barnes & Noble, Apple Books,
Kobo or at your local indie bookstore
visit Kylie Scott at kyliescott.com
and
Lumi Labs, creators of Microdose Gummies
Visit microdose.com and use the code FATEDMATES
for 30% off and free shipping on your order
KJ Charles 00:00:00 / #:
There's historical romance that just have only the vaguest relationship to the actual history of Britain. There's historical romance that gets really down and dirty, intimate, and where the author has really delved into it. And although I prefer the second kind, but I don't think the first kind should be dismissed, because it is doing something else. I don't think every historical romance needs to go, "But there was only 28 Dukes, and most of them had syphilis and no teeth, and everyone's got lice." I don't want to read books where everyone's got lice. If I want lice, I'll have young children again.
00:00:34 / #:
I would rather read a book where they just sort of throw their hands up and just go, okay, we're Heyer-ing the hell out of this. Because actually, Georgette Heyer, although she did loads of research and everything, when she actually did the bits that are really historically grounded, which is to say An Infamous Army and the other... But they're awful. They're so boring. They're dreadful. Nobody reads them. Nobody wants to read them.
00:00:54 / #:
The sort of glittery, ball-y, wonderful, romance-y ones, we love them. And it is good that people do that. And I think there is space for both. This is actually something I'm struggling with at the moment, because, like a fool, I've been trying to write a duke book. Fundamentally, my problem is, and this really does cut quite deep into the fact that I write historical romance, is that I sort of feel like the entire aristocracy should have been executed.
Sarah MacLean 00:01:22 / #:
That was the voice of KJ Charles, an author who helped establish a place for queer historical romance in the modern genre. Writing, as she describes her work, "Heyer, but gayer." In this trailblazer episode, we talk about KJ's writing, about the way she views the historical romance genre, about building communities of queer people on page, and about her work as a romance editor back in the day for Mills & Boon.
00:01:49 / #:
You are listening to Fated Mates. I'm Sarah MacLean. I read romance novels and I write them.
Jennifer Prokop 00:01:54 / #:
And I'm Jennifer Prokop, a romance reader and editor. Although I might not want to call myself that today because KJ Charles was a real romance editor, and I'm just going to be like, okay, well, I-
Sarah MacLean 00:02:04 / #:
Listen, you just have 19 more years to go.
Jennifer Prokop 00:02:09 / #:
Hire me, Mills & Boon, so I can feel real.
Sarah MacLean 00:02:11 / #:
Oh, my God, imagine. What a good job. What a fun job.
Jennifer Prokop 00:02:16 / #:
Just editing presents all the time.
Sarah MacLean 00:02:18 / #:
The dream.
Jennifer Prokop 00:02:20 / #:
The literal dream. Yes.
Sarah MacLean 00:02:21 / #:
Anyway, but before we get there, we have something else. We have a little housekeeping for everyone. In case you didn't download our quick six-minute episode last week, Fated Mates Live is happening in person in Brooklyn, New York.
Jennifer Prokop 00:02:37 / #:
The best borough of New York City, obviously.
Sarah MacLean 00:02:41 / #:
March 24th at 7:00 PM. We suggest you call up all your romance loving friends and make a weekend of it. The 24th is a Friday. March is a great time to come to New York City because it's maybe a little gray but not super cold, and it'll be very fun. You can go to a museum, you can go to a show, you can come see us. The tickets include a gift certificate to the romance book table sponsored by WORD bookstores in Brooklyn. There will be a bar, there will be lots of other Fated Mates listeners to make friends with. And Jen, and me, and a really delightful spate of special guests, many of whom you all know already.
Jennifer Prokop 00:03:25 / #:
It's been really exciting to see people on Instagram and Twitter talking about getting their friends together and buying tickets, and arranging to come into the city for the weekend.
Sarah MacLean 00:03:35 / #:
Put on a mask, get on an airplane or a train, and come see us. Fatedmates.net/live
Jennifer Prokop 00:03:42 / #:
And now that, that's off the table. Without further ado, here is our conversation with KJ Charles.
Sarah MacLean 00:03:51 / #:
Well, thank you so much for joining us. I'm so excited. I don't think we've ever met.
KJ Charles 00:03:56 / #:
Not in person. I think we've been on panels, but this is a proper face to face, so that's nice.
Sarah MacLean 00:04:02 / #:
It's great. It's nice to meet you. It's nice to see your face.
KJ Charles 00:04:06 / #:
Yes, you too.
Jennifer Prokop 00:04:07 / #:
So everybody, as we've mentioned, I'm really excited about our conversation today because I have also hosted a few panels with KJ, and I love listening to you talk about romance. And I'm really excited because you were also an editor, which is a personal interest to me. Not that it's about me, everybody. So we are really excited to have you today on as a trailblazer. And really, one of our first questions, just because we love hearing about it, is, what was your journey to romance?
KJ Charles 00:04:38 / #:
Well, my mother had a complete set of Georgette Heyer's, which is basically, you know-
Sarah MacLean 00:04:43 / #:
That'll do it.
KJ Charles 00:04:44 / #:
Yeah, I'm an immensely fast reader and a voracious one, and I always have been. One of those kids who just sat in the library all summer, and I read extremely quickly. So I was planning to read all of my parents books. They had to remove all the inappropriate ones from the shelves, kind of thing. And so yes, I'd read through the entirety of Georgette Heyer, and obviously formative. I was thinking about it and, basically, Cotillion and These Old Shades pretty much sum up the two strands of my writing. In Cotillion, you've got Freddy, who is this wonderfully... Yeah, not too bright, wonderful, generous hearts, immensely kind, and also the superpower of really, really good manners to be deployed accurately. And then you've got Avon in These Old Shades, who's basically just a completing amoral son of a so-and-so. So yeah. And those two basically sum up most of my writing. Although, I was also reflecting that Georgette Heyer, or her era, and with the proviso of the kind of person she was and the many prejudices she had. But there's an awful lot of queerness in Georgette Heyer's historical romances.
00:05:56 / #:
In The Reluctant Widow, the actual hero, who isn't the guy who marries the heroine, is very, very heavily queer-coded. In the Corinthian, you've got the heroine who is masquerading as a boy, and the fact that the bad guy effectively hints that he's going to blackmail the hero for having taken off the boy in private, et cetera, et cetera. So there's very strong awareness of non-conventional sexuality. And then The Masquerades is just the most ridiculous cross-dressing, gender-bending. So there's a lot of that in Heyer. So yeah, it's [inaudible 00:06:31 / #], definitely. And then I kind of didn't follow up my intro. I was more of a fantasy reader, to be honest. But when I was, gosh, about 28 or so, I got a job at Mills & Boon. Which to be honest, I took because I was working at an absolute disastrous company for a lunatic, and I needed to get out of there, and Mills & Boon happened to be advertising.
Sarah MacLean 00:06:55 / #:
Take the rope that comes.
KJ Charles 00:06:57 / #:
It was very much take the rope that comes. I wanted a job that would mean not having to go into that snake pit, and they wanted an editor. And I stayed there for years. And everything I learned about editing really came from there.
Sarah MacLean 00:07:11 / #:
When you started at Mills & Boon, aside from Heyer, did you have any frame of reference for what was going on in romance?
KJ Charles 00:07:19 / #:
Not really, no. I hadn't been reading any romance at all. Well, the thing is, because of being an editor, I actually mostly concentrated on reading what I was working on. So when I worked at a travel guide company, I would be reading non-fiction, or fiction, but set in the country for the travel guide I was working on. And then I moved to a house that was doing politics and history, which I read an awful thought of that. So I wasn't actually reading romance at that time. So Mills & Boon came as a complete change of track, but it was just so much more fun. So much more fun.
Sarah MacLean 00:07:58 / #:
What did you begin with at Mills & Boon?
KJ Charles 00:08:00 / #:
They plunge you right into it. Basically, I was on the medical team, the medical romance team.
Sarah MacLean 00:08:06 / #:
And we haven't talked a ton about medical romances on the podcast.
KJ Charles 00:08:10 / #:
Oh see, I love that.
Sarah MacLean 00:08:12 / #:
It's a very English world, the medical romance.
KJ Charles 00:08:15 / #:
A lot of our top authors were Australians.
Jennifer Prokop 00:08:18 / #:
They seem Australian to me more than-
KJ Charles 00:08:19 / #:
Yeah. Well no, it pretty much divided English, Australia. I can't, offhand, think of an American, in fact.
Sarah MacLean 00:08:24 / #:
I did not grow up with medical Romances. And, I mean, I read all of them.
KJ Charles 00:08:29 / #:
They were not the big one, but it was a good team. I like working on it.
Jennifer Prokop 00:08:35 / #:
Listen, Sarah, we grew up with George Clooney on ER though.
Sarah MacLean 00:08:38 / #:
I know.
KJ Charles 00:08:38 / #:
Well, yeah.
Sarah MacLean 00:08:40 / #:
I mean, that's not to say that I don't love a doctor romance, and that's a separate episode.
KJ Charles 00:08:44 / #:
But we had some fabulous... So we had Alison Roberts, who was actually a paramedic, who wrote such exciting story, really exciting. She did one, which is set, there was a big earthquake and then there were full stories set round. It was a wonderful sort of linked series, all starting from the earthquake. Terrific. So good to work on. And she did another trilogy that basically tracked over the progress of one person's pregnancy, for which I had to do the worst Excel spreadsheet in the world. We had to make sure, these three books, every single incident all tracked this one pregnancy. Ah, well, shoot me. But it had Marion Lennox as well, who is a wonderful one. She divided between what we called, we called it tender romance then, which I think is just... What do you call it? harlequin romance?
Jennifer Prokop 00:09:26 / #:
Heartwarming?
KJ Charles 00:09:27 / #:
Yeah, it was just harlequin romance.
Jennifer Prokop 00:09:28 / #:
Just harlequin romance.
KJ Charles 00:09:29 / #:
Yeah. Opposed to harlequin presents. They've probably changed the name about 15 times since then. But Marion Lennox, she was one of my favorite authors to work with. But she wrote the... And this has become kind of quite formative for me because it was a book of hers, I actually looked it up yesterday, it's called Bushfire Bride. And it's one of those, the heroine's got a husband who is in a coma, and has been in a coma for eight years. And there's a sequence where she basically says goodbye to him. And yeah, I'm literally editing this manuscript-
Jennifer Prokop 00:09:58 / #:
I'm crying already.
KJ Charles 00:09:59 / #:
Well, this is back in the day when you edited by hand. You literally had a printout and you made the edits by hand to be input by the copy editor, because that's how old I am.
Sarah MacLean 00:10:09 / #:
Me too.
KJ Charles 00:10:10 / #:
I was literally crying so hard while I was reading this, that the copy editor was like, "You're going to have to redo this page."
Jennifer Prokop 00:10:19 / #:
Your tear stained pages.
KJ Charles 00:10:20 / #:
Literally tear stained. I mean, God, she absolutely [inaudible 00:10:23 / #]. I can't. In fact, I didn't have to look it up too much. I was thinking, what was that book called? And Bushfire Bride came into my head. And that was 20 years ago, easy 20 years ago. Amazing. So yeah, that was it. But it was formative because I delved a lot. We did a lot of books. The turnover there was absolutely crazy. Although I was mainly on medical team, everyone worked across all four. So this historical, harlequin presents, medical, and tender. That's right. So you worked across them and you got given... And if an editor or author got absolutely sick of one another, you might get them switched in.
00:11:06 / #:
Plus, I was very fast. So people tended to give me an extra manuscript when there was a panic on, which there almost always was.
Jennifer Prokop 00:11:12 / #:
Sure.
KJ Charles 00:11:12 / #:
Well, you couldn't have a book come in late, because of the nature of the publishing. And then if everything did fall apart, you had to delve into the slush pile and actually pull out a finished manuscript, and find out a way to make it publishable within the next week.
Sarah MacLean 00:11:26 / #:
Amazing.
KJ Charles 00:11:28 / #:
Well, you learn to edit. I tell you what, you learn to edit like that, it's the most fantastic grounding and structural editing. Because you have to be able to pretty much look at the slush pot manuscript and say, "Okay, it's got totally good bones, the writing's a bit junky, but if the author will agree to basically let me do a really massive edit on it, this will work." Or alternatively, "This isn't working at all, but here is a thing that I can tell the author to do. And if they do it, that will work." But you've got to be able to pretty much x-ray the book, and look at the structure, and identify what will work and what won't.
Sarah MacLean 00:12:02 / #:
Well, especially because in category there's no flab. I mean, you don't have any space to mess up.
Jennifer Prokop 00:12:10 / #:
It's all bones and muscle. Yeah.
KJ Charles 00:12:11 / #:
Yeah. It's really something. There was weeks when I did six manuscripts in a week, kind of thing, which is insane. But like I said, if you were publishing eight presents in a month, you can't publish seven presents. It doesn't work like that.
Sarah MacLean 00:12:27 / #:
Right.
KJ Charles 00:12:28 / #:
You have to deliver eight presents.
Sarah MacLean 00:12:30 / #:
People have signed up for their box. Right.
KJ Charles 00:12:32 / #:
Well, yeah, exactly. It's completely nonnegotiable. So I honestly think I couldn't have had a better training in fiction editorial. Because it was so fast and so relentless, and you had to be really super practical.
Sarah MacLean 00:12:47 / #:
So at what point during that process did you think, "I'm going to start doing this myself?" Is that how it went?
KJ Charles 00:12:57 / #:
So when I was there... Well, see, I didn't really. I've always had it vaguely in mind that it would be nice to write, or indeed to have written a book. When I was there, they very kindly let me go off for four months and work from home in Japan. And this is, as I said, 20 odd years ago. So that was a really pretty advanced thing for them to do. My husband, my then boyfriend, was doing stuff in Japan, and we lived there for four months. So I did use some of my free time to start writing then, but it wasn't a romance. I wrote a fantasy novel, which has never been published, nor should it be. And then I wrote a thriller, which was picked up by Samhian, and sold about 12 copies, properly, deservedly. But it didn't occur to me to write a romance at all. I mean, it just never... Partly, I think, actually trying to write romance while you are working at Mills & Boon might actually be a really, you really bad idea.
00:13:54 / #:
Your head might explode. Yeah, I couldn't recommend that, I don't think. So it was quite a long time, actually, after I had left. And then I got married about a year later. And then about a year after that I had a baby. And I started writing when the baby was quite small, because you're trying to stay sane. It was supposed to be a fantasy novel. But at that point, with all the years I'd worked with Mills & Boon, basically, romance had coded... My neural pathways are like valleys. My neural pathways are carved so deeply into my brain. But it just turned into a romance. And that was The Magpie Lord, which was my first published book, my first romance. And once I just leaned into it, it just felt like the most natural thing in the world to do it. So there we are.
Jennifer Prokop 00:14:51 / #:
It sounds like you mostly edited contemporary romance. So what was the draw for you to historical romance or queer romance? Did one of those come first in your brain in terms of the kind of story you wanted to write?
KJ Charles 00:15:04 / #:
I'm always more interested in historical. The thriller that I wrote was an attempt at contemporary, and I hated everything about it. Because I'd live under a rock, I don't like modern technology, and it dates so badly, so quickly. And mobile phones ruin everything, because you set up this whole drama, and all [inaudible 00:15:26 / #] just phone up and go, "Oh yeah, this is what's going on." And you've ruined everything. And then you've got to find a reason for them not to have a mobile. So yeah, historical, obviously where it's at. And also, I like the differences. I like doing the research, and I like writing about different times and different people in different places. The similarities and differences are just much more interesting to me. So although I didn't read many, I didn't edit, rather, many historicals at Mills & Boon, because we only did four a month, and they had a historicals team. So I had one or two authors. But no, it's always been what I wanted to write. And the other thing is I'm very pulp focused. A lot of what I write is sort of riffing off the pulp of the Victorian, and Edwardian, and sort of 1920s period, because I just really enjoy that. And I enjoy picking that up, and running with this, and messing about with it. And often, queering it, because as anyone who plays with Victorian to 20th century pulp will tell you, it's just absolutely ripe for that. There's a fun, it's fun. Yeah.
Jennifer Prokop 00:16:37 / #:
Gosh, it's so fun. I feel like that's the thing I really love about your books. There was one, and I'm terrible with titles, where he was a taxidermist. Is that right?
KJ Charles 00:16:50 / #:
Yes. An Unseen Attraction.
Jennifer Prokop 00:16:52 / #:
Yes. And I was seriously like, "Why am I really interested in this right now? Why is this such a great time?"
KJ Charles 00:16:58 / #:
I loved doing that though. It wasn't actually what it was meant to be. I pitched the publisher something completely different, but then I couldn't write the thing I pitched to the publisher, it turned out to be a terrible idea. And I can't even remember now why taxidermist struck me as a good idea. It's one of the most fun books I've ever read. I did this deep dive into Victorian taxidermy. I've got the most extraordinary books on my bookshelf. But I had a whole sequence where he actually taxidermy's a canary just because it was so fascinating to me. I was about inches, literally inches, from going and finding someone who would teach me to do it myself.
Sarah MacLean 00:17:33 / #:
Well, that's the best part, that you can convince yourself. I always feel like writing historical also gives you... It's really best for procrastinators, because then we can sort of go off and convince ourselves that learning how to taxiderm is actually work.
KJ Charles 00:17:47 / #:
It's totally what you should be doing.
Jennifer Prokop 00:17:49 / #:
You had to learn to pick a lock to write that book, Sarah.
Sarah MacLean 00:17:51 / #:
I learned to pick a lock to write a lock pick.
KJ Charles 00:17:53 / #:
That's so cool.
Sarah MacLean 00:17:53 / #:
I mean, it did become very useful when I had to open my mother's cheap safe.
KJ Charles 00:17:58 / #:
Okay, that's fantastic.
Sarah MacLean 00:17:59 / #:
And I'd never felt more powerful.
00:18:05 / #:
This week's episode of Fated Mates is sponsored by Kylie Scott, author of End of Story, a new book out this week.
Jennifer Prokop 00:18:12 / #:
We love Kylie Scott here at Fated Mates, and this one sounds like a banger.
Sarah MacLean 00:18:17 / #:
Ugh. She's so great.
Jennifer Prokop 00:18:19 / #:
So here's the story. Susie Bowen inherits a charming fixer up from her aunt. And so she is really excited. She's going to do the whole HGTV scene and revamp the whole thing.
Sarah MacLean 00:18:30 / #:
Perfect.
Jennifer Prokop 00:18:31 / #:
The book starts with a knock on her door. Her contractor has arrived and-
Sarah MacLean 00:18:35 / #:
Is he hot?
Jennifer Prokop 00:18:37 / #:
He's hot. His name's Lars. That's real hot. Unfortunately, Lars is her ex's best friend. And her ex is a real dirt bag. And Lars saw their whole humiliating, public breakup. And Susie just is like, oh God.
Sarah MacLean 00:18:53 / #:
No. What am I going to do?
Jennifer Prokop 00:18:55 / #:
This is awful.
Sarah MacLean 00:18:55 / #:
But she needs a contractor.
Jennifer Prokop 00:18:57 / #:
She does. And Lars is available, thank goodness. So I think she's just going to have to lean into it.
Sarah MacLean 00:19:02 / #:
Even if it's pity contracting.
Jennifer Prokop 00:19:04 / #:
It's fine, whatever. Here's the part that's great. He is tearing down some wall, and they find a divorce certificate hidden in the wall that is dated 10 years in the future and has both of their names.
Sarah MacLean 00:19:19 / #:
What?
Jennifer Prokop 00:19:20 / #:
Right. What's going to happen?
Sarah MacLean 00:19:21 / #:
Wait, why? What?
Jennifer Prokop 00:19:23 / #:
You, and Lars, and Susie are going to have to discover it all together by downloading and reading this book.
Sarah MacLean 00:19:29 / #:
I mean, as though I wasn't going to download and read this book anyway.
Jennifer Prokop 00:19:32 / #:
Of course.
Sarah MacLean 00:19:33 / #:
No matter what it was about. Because Kylie's amazing. But this is such a cool idea. I'm going to read it immediately.
Jennifer Prokop 00:19:39 / #:
Exactly. Have a great time, everybody. You can find End of Story anywhere eBooks are sold, in audio or in print.
Sarah MacLean 00:19:46 / #:
Thanks to Kylie for sponsoring the episode.
00:19:51 / #:
One of the things that Jen and I have been talking about a lot recently, there's a woman who is on TikTok and also Twitter, and her handle is baskinsuns. And she's been talking a lot about how, in her mind, historical is really more like speculative fiction than it is...
Jennifer Prokop 00:20:11 / #:
Historical fiction.
Sarah MacLean 00:20:12 / #:
Historical fiction. Historical romance is more like speculative fiction than historical romance is like historical fiction. And I think this is a really fascinating way of thinking about the genre. And I wonder how that strikes you.
KJ Charles 00:20:25 / #:
I think there's very definitely strands of it. I mean, you've got the Bridgerton, the TV series, for example.
Sarah MacLean 00:20:33 / #:
Right.
KJ Charles 00:20:35 / #:
But I mean, why not? Well, okay, actually, we could debate this one for hours, and people already have. So I'm not going to go into that. But on the face of it, you could look at that and literally just go, okay, this is a fantasy version where a large number of the aristocracy are people with color, and why should you not do that? Why is that not a good thing to do? Then there's historical romance that just does have only the vaguest relationship to the actual history of Britain. And there's historical romance that gets really down and dirty, intimate, and where the author has really delved into it.
00:21:16 / #:
And although I prefer the second kind, but I don't think the first kind should be dismissed, because it is doing something else. But maybe looking at the historical fantasy without magic would almost resolve that argument. If you see what I mean. Because it is trying to do something else. I don't think every historical romance needs to go, "But there was only 28 Dukes, and most of them had syphilis and no teeth, and everyone's got lice." I don't want to read books where everyone's got lice. If I want lice, I'll have young children again.
Jennifer Prokop 00:21:49 / #:
Yeah, I don't want to read any books where there's any lice, actually.
KJ Charles 00:21:52 / #:
Exactly. I would rather read a book where they just sort of throw their hands up and just go, okay, we're Heyer-ing the hell out of this. Because actually, Georgette Heyer, although she did loads of research and everything, when she actually did the bits that are really historically grounded, which is to say An Infamous Army and the other... They're awful. They're so boring. They're dreadful. Nobody reads them. Nobody wants to read them.
Sarah MacLean 00:22:13 / #:
No. It's much more fun to read her making things up.
KJ Charles 00:22:15 / #:
Yeah. Well, the sort of glittery, ball-y, wonderful, romanc-y ones, we love them. And it is good that people do that. I suspect that's kind of what that person might have been getting at, or at least, that's how I feel about it. And I think there is space for both, very definitely. But this is actually something I'm struggling with at the moment, because, like fool, I've been trying to write a duke book. And my problem with the duke book... I mean, fundamentally, my problem is, and this really does cut quite deep into the fact that I write historical romance, is that I sort of feel like the entire aristocracy should have been executed. Usually, I sort of hand wave this one. And then I started writing a duke, and I've got 60,000 words, and I'm just sitting there going, "You haven't got any problems that cannot be solved by your money, which you have."
Sarah MacLean 00:23:11 / #:
Exactly.
KJ Charles 00:23:11 / #:
I hate it.
Sarah MacLean 00:23:12 / #:
Money, power, title. Exactly.
KJ Charles 00:23:14 / #:
Yeah. I mean, seriously, you don't have any problems. So I have not in fact squared that circle yet. And if I've wasted 60,000 words, I'm going to be banging my head against a wall. But currently, I feel like I've wasted 60,000 words, because I cannot, for the life of me...
Sarah MacLean 00:23:29 / #:
It's poor little rich boy, right?
KJ Charles 00:23:31 / #:
It is. And that's not...
Sarah MacLean 00:23:32 / #:
[inaudible 00:23:32 / #].
KJ Charles 00:23:32 / #:
It's something I struggle with. No.
Jennifer Prokop 00:23:35 / #:
And that's not your brand.
Sarah MacLean 00:23:36 / #:
He didn't like his dad, KJ.
KJ Charles 00:23:40 / #:
Yeah. And the things that could be a problem... Oh, anyway, I won't bore you with my struggles, because I'm boring myself with my struggles. But it's a real problem for me.
Sarah MacLean 00:23:48 / #:
It's interesting that you bring this up, because I actually think this is a push-pull that's happening. This did not happen in historical romance 20 years ago. Nobody worried about this.
Jennifer Prokop 00:23:58 / #:
Even 10 years ago.
Sarah MacLean 00:23:59 / #:
Or even 10 years ago. But now, those of us... I mean, I've written a thousand dukes. And you can see it in my writing, that I've gone from poor little rich boy to now it's time to burn down the dukedom entirely. Right? Let's set it on fire.
KJ Charles 00:24:14 / #:
It's really hard not to, isn't it?
Sarah MacLean 00:24:16 / #:
Yeah, I don't do it anymore.
KJ Charles 00:24:18 / #:
Exactly. And because apart from [inaudible 00:24:21 / #], I don't know about you, but how often do you just sit there and think, "So where does this guy's money come from?"
Sarah MacLean 00:24:25 / #:
Oh, well, yeah. And what's interesting is in the eighties or nineties, you could wave it away. He has plantations, but he pays his workers.
KJ Charles 00:24:34 / #:
Or you don't even mention the plantation, he's just rich.
Sarah MacLean 00:24:37 / #:
Right.
KJ Charles 00:24:37 / #:
Okay. It's fine. He's rich, he's got land. We don't talk about the English people working for him, still less, anyone outside... Make it Victorian, and how much of his money is coming from empire, which is say colonialism, say theft.
Sarah MacLean 00:24:51 / #:
Yeah. And there are only so many times that you can sort of accept, well, this one got his title when he was 35 because he did something good.
KJ Charles 00:25:04 / #:
And if they do that, and steal money, where does that come from?
Sarah MacLean 00:25:07 / #:
It's probably in a war. There's a lot. It's hard.
KJ Charles 00:25:11 / #:
There is a lot. Yeah. No, there is a lot.
Sarah MacLean 00:25:14 / #:
Which is why there's something to this. Like you said, historical fantasy, but no magic. Because it does feel like, in a lot of ways, the work that these books are doing, the social work that these books are doing is not about... Obviously, it's very difficult to handle where did the power come from, where did the money come from. But in many cases, in your books especially, the work of your books is very important, currently. For the world that we live in now, for 2023. And I wonder if you could talk a little bit about that, about how you think about the job, the work of the books in a world where, right now, queer people and books about queer people are under attack across the United States and around...
00:26:03 / #:
... and books about queer people are under attack across the United States and around the world. So how do you reconcile the work with the world, I guess, is the question?
KJ Charles 00:26:10 / #:
Oh, Lordy.
Sarah MacLean 00:26:13 / #:
I'm asking for a friend who is me.
KJ Charles 00:26:18 / #:
Do you mean in the sense of the guiding principles, as it were?
Sarah MacLean 00:26:24 / #:
Yeah.
KJ Charles 00:26:24 / #:
I mean I feel like fundamentally the purpose of romance, I mean it's twofold, isn't it? You want to give hope and you want to give connection. So the hope is ... romance gives us a portrayal of a better world where people are loyal and people are loving and someone stands up for you and you've got family. And it's not just hope. It's fulfilled hope because you pick up a book thinking, "I hope this ends well," and it does because it's a romance novel. And then I think you've got connection in the sense of you're writing a book that depicts people connecting in a real way, but also there's a romance community and there's a fact that people see a romance novel with someone who looks like them and behaves like a queer person and black person or whoever on the cover, and that romance novel is being sold and it's on the shelves of the bookshop, that's really, really important. And it's all the more important if they're taking the books out of the schools and the libraries, which I have to say is [inaudible 00:27:34 / #] terrifying. I don't know what your policy on swearing is, but-
Jennifer Prokop 00:27:40 / #:
No, please go for it. We're-
KJ Charles 00:27:43 / #:
I mean when it comes down to it, I want my books to be ones that people ... that they're a place of safety where things work out, even if things don't look like they're going to work out. Which I think is important because there is absolutely a place of very, very low angst romance where everything is totally okay. And I don't write that. I'm really glad it exists because people sometimes need to go there. But I think people also sometimes need to have the drama or the angst or whatever but still with the guarantee of everything being okay. We use fiction to tell ourselves that the world could be a better place fundamentally. That is what fiction is for. It's to try things out and explore them and say, "Look, here's this thing, this is the way the world could be." And I write the books how the world should have been and how I would like it to be.
Sarah MacLean 00:28:47 / #:
I keep thinking about what we were talking about about the Dukes situation and I think part of the reason class is so hard to deal with in romance is we all know that many people have found happiness even in the throes of financial instability like of course, right?
00:29:08 / #:
But at the same time, we all also know that financial instability does make so many problems go away. And I think romance really hasn't quite figured out how to grapple with some of that. I know that's, I'm sorry, I'm bringing that back but I was thinking as you were talking too about how the world should be. And I think so much of what romance is trying to do when it's found family and this is the way the world should be, is we shouldn't have people that are like, "Well, I can't really have the life I want to live right now because I have to work 800 hours a week," or whatever. Or, "I can't have the life I want to live because I live in Florida and these books are being banned and what's that like for my family or my children?" And I think so much of what romance is about is saying we don't have to live like that.
KJ Charles 00:30:01 / #:
Yeah. And I think addressing problems through a fictional lens is a great way of helping people deal with them. I mean I remember one absolutely lovely bit of mail I got that was from a reader who was going through something like quite rubbish, I think it might have even been chemo, but she basically said that ... And this is going to sound, actually, it's going to ring a bell because you all could have done it, but she basically was reading this book of mine where the hero is kidnapped and he's basically trapped in this room and he's just doggedly doing sit-ups with a chain on his leg because he's not going to sit there and do nothing. So he does a thousand sit-ups and she pretty much said, "I was just going through it thinking, well, I'm like Darling, I'm like Will darling doing his sit-ups and if he can do a thousand sit-ups, then I can do this thing kind of thing. And actually that's-
Sarah MacLean 00:30:53 / #:
Nice. It is.
KJ Charles 00:30:56 / #:
So it's not just about romance providing an escape. Well, it does provide an escape. I think we can all use this, we can all think of characters and almost model ourselves.
Sarah MacLean 00:31:06 / #:
Yes.
KJ Charles 00:31:07 / #:
This is why sex positivity is important or depicting sexual relationships at work, I'm not going to necessarily say healthy because another thing romance does which is a big matter of discussion. But you can show people starting from quite an unhealthy place, but you can actually show them starting from an unhealthy place and improving. You can model all sorts of behavior and people can try them out and apply those ideas to their own situation while they're also reading a highly entertaining book that doesn't feel didactic.
Jennifer Prokop 00:31:39 / #:
Well, and I think for me it's always been love is worth it. Even when you've been hurt. We've all been hurt. I know it's very old school, but those old '90s romance heroes who were like, "I've been hurt once, I can never love again," that means something to me because we all have, right? I don't think there's anything more brave than putting your heart on the line again. And I think romance every single time is really saying you might not be called to some big act of bravery in your life, regular people of the world, but you will be called upon to make these small commitments to the people in your lives in my community or the people ... I mean I don't know. I know that's really cheesy maybe, but that really means something to me.
KJ Charles 00:32:25 / #:
But I mean it does. This is the thing. I get quite a few letters and people discover the most ... If they really see themselves in a character, if they see a dyspraxic character and they've not read one before and it means something to them to be seen, or people who read an absolute shedload of queer romance and then they go, "Actually, it turns out I might not be a success after all," which happens. Yeah, it happens. And some people who've never been aware that there was an option discover that. I think that is the power of romance. It's the power of showing how things could be and they work out, they guarantee work out. They don't do the little life on you.
Sarah MacLean 00:33:18 / #:
And I think that, to that point, we've really been very lucky as romance readers and people in the community for the last however long decade because it feels like there was so much less of that representation before. And obviously we've tried really hard for these particular episodes to bring people in who have been working on representation of all forms from the beginnings of the modern genre. But I think about it was so rare to see characters who were anything other than cis white, thin, rich-
Jennifer Prokop 00:34:05 / #:
Rich people.
Sarah MacLean 00:34:05 / #:
... et cetera, before. But now it feels like part of the reason why we asked you to join us is because it does feel like when you came onto the scene there was a shift, not that you brought the shift-
KJ Charles 00:34:21 / #:
No, it's [inaudible 00:34:23 / #] but yeah.
Sarah MacLean 00:34:22 / #:
... but you were a part of something that was happening. It was firing on all cylinders, right?
KJ Charles 00:34:28 / #:
Zeitgeist.
Sarah MacLean 00:34:31 / #:
Yeah. So I wonder if you could talk, was there an awareness of that for you as somebody who had come up through ... I mean one of the most classic romance avenues was the sort of Harlequin Mills & Boon pathway, right? So what you were working on when you were there was almost like the purest of romance.
KJ Charles 00:34:53 / #:
Very much the old school.
Sarah MacLean 00:34:54 / #:
Yeah. So did you have an awareness at the time that you started writing or you started being published that something was shifting?
KJ Charles 00:35:05 / #:
It's actually quite interesting because I sold The Magpie Lord to Samhain.
Sarah MacLean 00:35:10 / #:
And Samhain was doing so much of that too.
KJ Charles 00:35:14 / #:
They were doing a shedload, but even they basically went, "Look, this is Victorian queer fantasy and Victorian queer fantasy romance. And they pretty much said expected to sell 12 copies because it's not even regency. People don't like historical that much. It's got fantasy which can put a bunch of people off. They were doing quite a lot of queer romance, but you were really very much looking at contemporaries mostly with two [inaudible 00:35:42 / #] on the cover kind of thing.
00:35:45 / #:
And I did actually go out looking. The only other one I could find was Widdershins by Jordan L. Hawk who was also 19th century queer so same area, fantasy, and I go, "That's exactly the right ... Well, how dare you say there isn't one of them? Of course there is." There's one of them. Well, that's always the way, isn't it? There can be only one but Jordan's self published, so my expectations were extraordinarily low basically. They didn't expect it to sell a lot, but they still wanted to do it. And although it didn't end well, I really respect what they were doing. And then it did sell well. I mean it sold extremely well.
Sarah MacLean 00:36:29 / #:
Yeah. Do you know why? I mean obviously it's fantastic and that's why, but was there something that happened? Was there somebody who-
KJ Charles 00:36:36 / #:
There was a good reader who I've always ... I don't know if I'm right, but I've always attributed it to this one personal good ... You know how some people, good readers, some of them just seem to have 40 zillion connections? Well, one of them got an ARC and just left this absolutely phenomenal review and then it just went boom.
Sarah MacLean 00:36:54 / #:
Because it also feels like fantasy. You scooped up a world of readers who were not being served by romance at all.
KJ Charles 00:37:03 / #:
Yeah. People love ... I mean, yeah, look at how much historical fantasy and even queer historical fantasy there is now. It's just this wonderful, wonderful cornucopia because I think everyone's always loved this. I don't know why people ... One of the most depressing things for me about working with publishers, and I've really experienced this as an editor, is they just sit there going, "That won't sell. Oh no, that won't sell." "Well, how do you know it won't sell? We haven't published one." Well, somebody else did one and it didn't sell."
Jennifer Prokop 00:37:35 / #:
We've tried nothing, KJ.
KJ Charles 00:37:36 / #:
We've tried nothing and we're out of ideas and it's actually along the lines of I've heard people say variants on, "If it sold, we'd have already published something like it."
Jennifer Prokop 00:37:47 / #:
Sure. Nobody has new ideas.
KJ Charles 00:37:50 / #:
Yeah, no. We'd already know if this kind of thing would sell. There isn't loads of this on the market already, therefore it doesn't sell. And you go, "Well, why don't we start it?" It is genuinely infuriating.
00:38:03 / #:
And then you get through that and then you go through there can be only one phase, which we have lived through in which they will absolutely publish a Black author but one Black author. Or we can have one Indian, or we can have one queer person on our books but, goodness me, not more. Because one is plenty and then, oh my God, if it doesn't sell, [inaudible 00:38:26 / #].
Sarah MacLean 00:38:28 / #:
Beverly Jenkins, Forever.
KJ Charles 00:38:31 / #:
Well, I mean Beverly Jenkins is like this amazing ... I really hope someone's done a PhD because she sold so much. And then you look back and you think, "Why weren't they scooping up other Black historical romance authors when she was selling and selling and selling?" And why wouldn't they be going, "This is a trend, this is a trend that we can cash in on?" And they don't. They highlander it, they say, "There can be only one Beverly Jenkins."
00:39:02 / #:
And then, of course, it tips and then suddenly they go, "Oh my God, gold rush." But then they're scooping up everyone they possibly can because finally they have worked out they can make some money on it. Which obviously, as we know, is a publisher's sole reason for being, and it's maddening to observe. So my experience with especially queer fantasy historical romance was pretty much that all my [inaudible 00:39:32 / #] out there is there's a whole bunch of people writing it and a whole bunch of publishers just going, "No, that's not going to sell. That's not going to sell." Samhein told me it wasn't going to sell even while they published it so it was presumably an act of charity or something. And then, oh my God, now they'll [inaudible 00:39:46 / #] all the manuscripts that I will absolutely bet you people have been sending in for years and years.
Jennifer Prokop 00:39:51 / #:
Sure.
Sarah MacLean 00:39:51 / #:
Right. And what's fascinating about that is Samhain is one of those publishers. So let's talk about that piece of romance history because it was so fleeting, it feels like, and it was so important at the same time because there was this moment, this crest of a moment where eBooks had just hit, people had just started accepting eReaders into their lives. There were so many of these small presses that were taking on authors who larger publishers were saying, "Nobody buys that. There's no market for it." Samhain was one. Elora's Cave was doing it in erotica. There were a number of other queer presses. And I wonder if you could talk a little bit ... We've never had anybody on who published with Samhain, so I wonder if you could talk a little about that world, who it was there, what was going on in the Samhain world and then that didn't last for very long.
KJ Charles 00:40:58 / #:
It didn't last for very long. It was very, very unstable. If you look at it, they've all imploded, haven't they?
Sarah MacLean 00:41:03 / #:
All of them.
KJ Charles 00:41:05 / #:
[inaudible 00:41:06 / #], that's gone.
Sarah MacLean 00:41:06 / #:
Except for Radclyffe's. But it's different because Bold Strokes is like Radclyffe running the show, right?
KJ Charles 00:41:12 / #:
No, well, Bold Strokes, I think there's a couple of ones where it's basically people who publish themselves and possibly their friends and it's very, very specific. But also lesbian romance kind of is differently siloed. But for the sort of more general thing that was going on that I was part of, so you had [inaudible 00:41:33 / #] that was I mean they were doing some really weird things with covers that were very difficult and I think it ended poorly. And then Samhain who they did a lot of exciting stuff and they really put a lot of heart into it ended poorly. And then you've got Dreamspinner who are still going but-
Sarah MacLean 00:41:54 / #:
But don't pay their authors.
KJ Charles 00:41:56 / #:
But don't pay their authors and I have very strong views on that.
Sarah MacLean 00:41:59 / #:
My constant asterisk about Dreamspinner. They don't pay their authors, don't publish with them.
KJ Charles 00:42:04 / #:
But do not publish with them because they still owe large amounts of back royalties they should never have touched. And then you have Riptide who imploded in such a spectacular way that there was a whole page article about it in The Guardian, which is a UK newspaper, about a small American press going under because of the spectacular nature of their inflation.
Sarah MacLean 00:42:23 / #:
Well, it was so horrifying that.
KJ Charles 00:42:26 / #:
Well, it was horrifying and I was one of the people who ... I had a book coming out with them literally at that time and it was one of those ones where it was so close to publishing and I didn't want to publish with them, but it was like a couple of days before and there was an audio book. So I basically wrote to them and said, "I'm very dubious about this." And they literally reversed my rights without asking because I think they were just automatically [inaudible 00:42:51 / #].
Jennifer Prokop 00:42:51 / #:
They were just doing it. Yeah, they were just doing it.
Sarah MacLean 00:42:53 / #:
For everybody listening, we'll put a link in show notes to the Riptide story, but essentially sort of very broad strokes, there were allegations and screenshots of an editor sexually harassing authors.
KJ Charles 00:43:08 / #:
Yeah, and there was a bunch more to it. There was another scandal. Anyway, the whole ... Without delving any further into that because, to be honest-
Jennifer Prokop 00:43:17 / #:
We'll never get back out.
KJ Charles 00:43:17 / #:
No and-
Sarah MacLean 00:43:18 / #:
And it's not what today is about.
KJ Charles 00:43:20 / #:
But pulling my hair out. But that was actually quite a large part of it. It was a very [inaudible 00:43:27 / #] time. There was a great deal of hope and a great deal of people who were in some ways throwing everything at the wall to see what would stick because nobody knew, because nobody had been doing it before.
Sarah MacLean 00:43:38 / #:
Right. It literally hadn't existed.
KJ Charles 00:43:41 / #:
Yeah, suddenly, yeah, queer presses had been these very tiny outfits probably operating out of New York and doing a paperback for like $20 or something because of the cost. And suddenly you can back it out there and get it on ebook. And the numbers were pretty startling because so many people who were around the whole world who had been unable to get these books were able to get these books.
00:44:05 / #:
But of course what happened, and which happened with much of romance, is the realization that you could then self publish on Amazon and get 70% instead of 25%. And people started questioning what a lot of those presses ... [inaudible 00:44:21 / #] and they put an absolutely shocking generic cover on it and didn't give you any editorial support or you get your mates to knock up a cover and put it on Amazon and it wasn't really a debate. So I think that very heavily lies behind why so many of them didn't survive.
Jennifer Prokop 00:44:39 / #:
I just was doing a library thing and I was talking about a lot of people who self-publish will trade services with each other as a way to get books to market. As you said, I have a friend who can do a cover and I can do a copy edit. I mean it feels like people are recreating the work of the publisher in smaller groups in order to put out good products.
KJ Charles 00:45:03 / #:
That does exist. I definitely know of people who do it and there's lots of sort of horse trading with newsletters and mutual supports and so on and so forth, which I think, yeah, can be great. I'm always a bit dubious about putting the words community and authors in the same sentence because like cats in a sack and also ... but there are clearly people who do work together to help one another and recommend and lots of people who will just email me or DM me and sort of say, "Can you help with this? Can you tell me somebody who might ... Who did you use for?" And I think that is important. Well, for any marginalized community, but especially when you're trying to build it.
Sarah MacLean 00:45:53 / #:
This week's episode of Fated Mates is sponsored by Lumi Labs, creators of Microdose Gummies. So you've all heard us talking about microdosing and the concept of microdosing, which is commonly associated with psychedelics, wellness, performance enhancement and creativity. And we've been talking about Microdose Gummies for a while on the podcast and we've talked a lot about how we use them ourselves. Jen uses them for sleep. I have used them in the last few months as sort of a way to just take the edge off and calm down off of a rough time or a stressful time over the holidays. People use them for creative boosts. We've heard about people who listen using them for pain and anxiety. It's a great product that's going to fit into your lifestyle. So I really love ... I was like the whole idea of just chilling out in this really stressful time of year has been one way lately than I have found them helping me.
00:46:55 / #:
So if you search around the internet, have a Google search on microdosing, you'll learn more and you'll learn about all the ways that people are using them out there in the world. Our show today is sponsored by Microdose Gummies, which deliver the perfect entry level doses of THC that help you feel just the right amount of good. And you can find Microdose available nationwide. It'll be shipped directly to your doors at microdose.com. You can use the code Fated Mates for 30% off your first order and free shipping. Thanks as always to Lumi Labs and Microdose for sponsoring the episode. Did you have a community coming up, cats in your sack?
KJ Charles 00:47:39 / #:
I'm not a very good community person. I tend to be fairly ... There's a reason I work on my own in the shade, but I've had-
Sarah MacLean 00:47:49 / #:
Or editors or anybody who you felt was helping you to shape the road?
KJ Charles 00:47:55 / #:
Yeah, no, definitely. I mean resources like I talked a lot with Alexis Hall, obviously, queer romance British. That's been really, really interesting. Jordan Hawk, who I co-wrote a book with and E.E. Ottoman as well. And that's actually been really important I think. Probably I talk to Brits because it is actually a bit separate. Romance is so American dominated that it's actually nice so Talia Hibbert, for example, was great and Alexis and I've also got May Peterson who is an author of mostly trans, also non-binary romance including fantasy romance, but who's also a really good editor and a book doctor and she's like book doctored three books for me and saved them effectively. So having someone like that at your back is absolutely invaluable. Yeah, I think establishing relationships just with people who will actually give your book a read and tell you to calm down and take a deep breath if you're being given hassle is very important to anyone.
Jennifer Prokop 00:49:10 / #:
Do you think the perception of romance has changed over your career? I mean coming up from Mills & Boone to where we are now, how has it changed and do you have a crystal ball like where are we going?
KJ Charles 00:49:25 / #:
It's probably how do people seek romance and all that, it's such a massive genre that it's really hard. I see people say things about romance and I'm thinking but you're looking at Kindle Unlimited that's full of [inaudible 00:49:40 / #] books and toxic, I don't know what my God the hell people are doing in there. And then you're looking at the kind of books which are, lots of the kind of books which are getting on the shelves at the moment, which there's much more diversity and there's a much stronger sense of sex positivity and body positivity and all these great things. And then you've also got this huge strand of there's always a Fifty Shades or a Colleen Hoover, isn't there?
00:50:09 / #:
And how can we say what do people think of romance when you're simultaneously talking about Talia Hibbert and Colleen Hoover and whatever godforsaken thing is at the top of the Kindle Unlimited charts? I have different perceptions of those things.
00:50:27 / #:
That said, so the thing that actually is really striking me at the moment, so you're getting a lot more romance of the kind that I like and read is hitting the bookshelves, Boyfriend Material and Red, White and Blue and [inaudible 00:50:42 / #]. People like Jackie Lau who's set out to write romance with Chinese leads because she couldn't get them published and she just sort of doggedly said, "I'm going to self-publish these because no publisher will take them." And now she's being traditionally published because she just dug in and did it. So you're getting all those on the shelves, and I don't know if it's the same in the US, but I went into the Waterstones, the only big book chain we've got left and there's a table covered in romance novels and the label on it says new adults. It doesn't say romance anywhere. The word romance doesn't come up.
Jennifer Prokop 00:51:17 / #:
No, they don't like that word. No.
KJ Charles 00:51:22 / #:
Yeah, well [inaudible 00:51:24 / #], those are not new adult books. That's complete rubbish. But they don't ... and this is why the cartoon covers bothers me, not because I don't like them excessively but because it seems to me part of the big branding effort to go, "This isn't romance." It looks like chick lit or it looks like lit fic. I mean there's a book that's come out recently whose name I probably shouldn't say but it's okay because I can't remember it, but the blurb is one of those that looks like it belongs on Kindle Unlimited. It's one of those ones of he looks at me with his dark eyes and I see myself falling into the prison of his yada yada yada like black verse. There's black verse-
Sarah MacLean 00:52:00 / #:
And there's no name and it's so frustrating when you're trying-
Jennifer Prokop 00:52:03 / #:
And there's no names, and it's so frustrating when you're trying to get information.
KJ Charles 00:52:06 / #:
There's no names and it's just all this sort of vague, "she is my doom, she is my destiny" et cetera. So, the blurb is all that. But the cover really is this absolutely beautiful thing, where it looks like it belongs on a book about a Hungarian countess in the 1940s whose family is slowly decaying during the war.
Sarah MacLean 00:52:28 / #:
She's trying to keep that castle together. It's hard work.
KJ Charles 00:52:30 / #:
But it's the most lit-bit cover you've ever seen. And the blurb is the most horrible KU thing you've ever seen. And the book, I have no idea what the book is. I completely [inaudible 00:52:41 / #]
Jennifer Prokop 00:52:40 / #:
What is in there?
KJ Charles 00:52:43 / #:
Actually clashing... I don't know.
Jennifer Prokop 00:52:47 / #:
Maybe that's the strategy.
KJ Charles 00:52:49 / #:
Well, if the strategy is to confuse anyone who knows anything about romance, then they have absolutely nailed it.
Sarah MacLean 00:52:56 / #:
I saw a book the other day that is absolutely not romance, just contemporary fiction and it had a very generically vector art cover. And I just thought, this is not a romance-only problem now. This is a publishing problem.
KJ Charles 00:53:11 / #:
It is a massive publishing problem.
Sarah MacLean 00:53:12 / #:
It's just all one big bin to them, I guess. It's a book.
KJ Charles 00:53:16 / #:
The last two romantic comedies I have bought, both of which had cartoon covers or drawn covers-
Sarah MacLean 00:53:22 / #:
Were they funny?
KJ Charles 00:53:23 / #:
Both of which said rom-com on the blurb, neither of them has been romance. And actually, neither of them was a comedy. One of them was all about the heroine was being stalked by her toxic, abusive ex. It's not comedy. Why is that funny?
Sarah MacLean 00:53:36 / #:
No.
KJ Charles 00:53:36 / #:
What's going on here? And there's no romance. The other one, it's a very good book, but it's literally a book about this woman having this really difficult relationship with her family, and her faith, or whatever, and she gets engaged to this other guy. Then at the end, she thinks she might start dating the other guy who's really nice. "I think I might start dating him in a couple of months" is not a happy ending. You can't call that a romantic comedy, but they are.
Sarah MacLean 00:54:02 / #:
Right.
Jennifer Prokop 00:54:03 / #:
Yeah.
KJ Charles 00:54:03 / #:
So, where do I think romance is going? If the publishers are in charge-
Jennifer Prokop 00:54:08 / #:
Down the drain!
Sarah MacLean 00:54:09 / #:
Yeah, exactly.
00:54:11 / #:
Well, I feel that way, right? They're like, "Well, it would be great if this would just go away. Can we just make money off of you without giving you what you want? That's what we would like."
KJ Charles 00:54:21 / #:
Yeah, it is kind of baffling to me because my experience as an editor was very much simply that publishers will do basically anything for money. And I don't understand why it's the asterisk exception romance.
00:54:40 / #:
Especially the Mills have been, they were such a good publisher to work for in a lot of ways and they were completely led into what they were doing. We had an internet forum that where readers were encouraged to come on and talk to editors. We were literally so encouraged at work to sit there and chat with readers on the forums. That was a part of my job. I got paid for that and it's amazing. But they were groundbreaking and things like that.
Sarah MacLean 00:55:06 / #:
Well, it is interesting that you bring that up because it feels like those publishers, again, so you were editing for Mills & Boon in the 90's? No.
KJ Charles 00:55:17 / #:
Yeah, got to have been 20 years ago. Yeah.
Sarah MacLean 00:55:20 / #:
So at that time there were so few places for readers to find authors and publishers. Romance has always felt to me, the community of romance readers is so active and so eager to find each other because, I think, of the perception from the outside world that we're all like 'cat ladies' or sex-crazed. It's one or the other and there's both ends, the "listen, stop judging me". And so the idea being that because the outside world has this really negative perception of us as readers, when we find each other, we are so grateful to find each other. And the interaction, I think, speaking to my friends and colleagues who write, not right outside of romance, their relationship with readers is incredibly different than my relationship with readers. And I think that is something that's very special to romance. And so I'm sort of curious about how that world has shifted in your perception.
00:56:35 / #:
Because I remember before I was writing, Avon was doing similar things. Like there were boards, Tessa Dare and Courtney Milan and others came up through the Avon boards as they were writing Bridgerton fanfic essentially on the Avon boards. And then Avon had a fan-lit contest where Julia Quinn judged the finals.
Jennifer Prokop 00:57:02 / #:
Yeah.
KJ Charles 00:57:02 / #:
I mean that kind of thing was amazing. It was wonderful. I basically, I would be talking to people that I remember giving the call to somebody who was a regular on the Nelson Boone boards. And when we announced, it was wonderful because I got to do it in person, it was one of the best days of my life. I told that in person, she burst into tears. We were at a conference, she burst in into tears and she cried so hard that people were rushing up thinking she'd had news of her family's death.
Jennifer Prokop 00:57:27 / #:
I love it when they cry.
KJ Charles 00:57:30 / #:
Oh, it's great when they cry. Then we announced it on the Harlequin boards and they just exploded, the sheer joy. But it was also, and I had done it because it was a great book and she was a great writer and I loved doing it. But somebody described it as the best piece of PR Nelson Boone ever had. And it was because all of those people literally saw in real time that one of them, it could happen to you.
00:57:52 / #:
Because it did happen to her.
Sarah MacLean 00:57:55 / #:
Exactly.
KJ Charles 00:57:55 / #:
And it was joyous. It was absolutely joyous.
Sarah MacLean 00:57:59 / #:
And now I feel like the readership is binding us in so many different ways there, there's a constant sense of them being able to touch us on Twitter, on Goodreads, in all these different places. And I wonder if that's changed the way you think about writing.
00:58:20 / #:
I often wonder that about myself. Do I write differently because I'm interacting so much with readers? And this is a different question from the one that's going around on Twitter right now, which is, "What the purpose of reviews?" I don't want to talk about that.
KJ Charles 00:58:37 / #:
No, no.
Sarah MacLean 00:58:39 / #:
But I'm, I think a lot do think a lot about readers when I write.
KJ Charles 00:58:43 / #:
Well, you can't not.
Sarah MacLean 00:58:45 / #:
But I think a lot of writers don't at all. Jen and I have talked to however many and there is so many who are like "I don't think about them at all. I write for myself." I want to say for everyone out there, that's not me being, I'm not judging that, that's a way.
KJ Charles 00:58:59 / #:
No, it's an approach.
Sarah MacLean 00:59:02 / #:
Yeah.
KJ Charles 00:59:03 / #:
I totally get it. Because I know people who just, they don't want anything to do with social media, it's a time suck.
Sarah MacLean 00:59:08 / #:
Heads down.
KJ Charles 00:59:09 / #:
And I get people who say I couldn't write, I don't write, I don't write like messy, I don't have, it's one of the reasons I'm so firm on the reviews of readers. I'm not sitting here finding out what Blob 27 wants to say about, I don't care.
Sarah MacLean 00:59:24 / #:
Your mental health. I don't know how people survive that. Yeah.
KJ Charles 00:59:28 / #:
But yeah, no, I have absolutely. It's not a committee. Okay. Yeah. It's a benevolent dictatorship.
Sarah MacLean 00:59:36 / #:
Sometimes not even benevolent.
KJ Charles 00:59:37 / #:
It's [inaudible 00:59:39 / #] dictatorship, let's be real.
00:59:44 / #:
And yet, I have learned so much from readers' comments and really insightful things, which are not for me, but they are things I have seen because they scroll past on my timeline. And when you see someone who is really putting the work in to say, okay, here's this historical romance and this is why this was a misstep and this hit really badly and this hurt really badly. And you think, yeah, that is a misstep and it's potentially a misstep I could very easily have made and I'm really glad I didn't make it and I don't want to make it. And the world is full of missteps I could make. I feel like it's, on the one hand you could paralyze yourself. And on the other hand, I would rather not hurt somebody than hurt them. I don't want to hurt anyone. I don't want to say something stupid and crass if I can avoid it. I can say stupid crass things, but I'd rather not. So I think, I guess it's a fine line, isn't it?
Jennifer Prokop 01:00:43 / #:
I think strictly from a reader point of view, one of the ways I think romance has changed is that I grew up in a time of, I hid my romance novels. I think a lot of us did. Or I didn't have a community of romance readers because I grew up in a time where there was like, how was I going to find those people?
01:01:01 / #:
And so I do think one of the ways that romance has changed is that romance readers are no longer buying into the narrative of "this is something we should be ashamed of". And I often wonder if that doesn't trickle out in ways that say, as you've said, this hurt me and I don't come to romance to be hurt. There is an avenue for that to be heard. Not in a personal way like "this book isn't good", but in a right? And I do think that maybe that's what Sarah's talking about, writ large. You're more in touch with readers in a way. We didn't have that. I mean if you've been around long enough, you knew that this was a secret shame. You sulked down the library aisle or the bookstore aisle and got your books or you've got them sent to your house, there's a reason there's not send the thrillers to your house package.
01:01:57 / #:
Nobody needs that. Right. And I just think a lot about-
KJ Charles 01:01:59 / #:
Like a secret political science book.
Jennifer Prokop 01:02:02 / #:
The reader is more, we're more aware of the reader because readers are more aware of ourselves. I don't know.
Sarah MacLean 01:02:08 / #:
Yeah, I think that's true.
KJ Charles 01:02:10 / #:
But I also think people in general have just developed a much stronger idea that they can talk to creators and be talked back. I mean, you just look at that sort of powerful genre of memes. Where you've got some absolute idiots explaining to the creator of a TV show, what the TV show is about. I, so I think Twitter has almost given people this world idea possibility that you know, you can talk to your favorite author and they might interact with you and you say anything to, and yeah, quite often people are at me and I will reply and then they'll go, "I didn't think you'd reply!" It's like, but you literally talked to me!
Jennifer Prokop 01:02:50 / #:
I'm not rude.
KJ Charles 01:02:51 / #:
I'm British!
Sarah MacLean 01:02:54 / #:
Yeah. I mean one day you might talk to that person and then have a podcast with them. It's crazy.
KJ Charles 01:02:59 / #:
But I mean, this is not a binding guarantee that I will reply if someone at's me on Twitter.
Sarah MacLean 01:03:06 / #:
Oh my God.
KJ Charles 01:03:06 / #:
But I think the possibility of being sucked into the worlds of that is immensely strong. And especially if you don't have a fairly strong sense of self and a fairly, you need a tough hide for that kind of thing. I think if you are the kind of person who's always looking for feedback and who's devastated by a three star review or whatever, my only recommendation will be, stay the hell off social media altogether because it'll kill you. That's unfortunately just the way it is.
Jennifer Prokop 01:03:39 / #:
Are there books of yours that are fan favorites? Are there books that you hear about from your readers more than others?
Sarah MacLean 01:03:47 / #:
I mean, we obviously have our favorites here at Fated Mates, but.
KJ Charles 01:03:51 / #:
Yeah, there are. I mean the Magpie trilogy, which is my first ones, obviously they've been out the longest, but they also seem to have a place in library hearts that nothing will match.
Jennifer Prokop 01:04:03 / #:
It's always those first ones. And you're like, "I've written so many others!"
KJ Charles 01:04:07 / #:
I've got so many. Yeah, I've got more translations in those than anything else, it's now in 8 languages, which is nice. And tattoos, when people get tattoos, it's usually Magpie Lord. Tattoos. The first tattoo was really Terrifying. Yeah, it's amazing. It's just-
Sarah MacLean 01:04:24 / #:
See all the more reason for you to be worried about Twitter because then you're afraid, oh God, I'm going to say something someday.
Jennifer Prokop 01:04:29 / #:
And then these people have tattoos of my books.
Sarah MacLean 01:04:31 / #:
My only tattoo is of a James Joyce quote and he is not alive to really appreciate that about me.
KJ Charles 01:04:37 / #:
Yeah, but you know, he's also not going to get canceled then he'll feel dreadful. You have to strike it out and get canceled up wrong.
Sarah MacLean 01:04:44 / #:
I'd be like, god dammit.
KJ Charles 01:04:45 / #:
No, I think it's incredible. I see that and I still just sit there in white jaw, gob-smacked awe that this thing could possibly be happening.
Sarah MacLean 01:04:54 / #:
Amazing.
KJ Charles 01:04:55 / #:
Someone could react like that. Yeah. I think those are the ones that strike. Although, well, in fairness, there's three books in the tragedy and then there's two books in the extended world. So also I think people have a real opportunity to take a deep dive and roll around in the world, which is nice.
Jennifer Prokop 01:05:13 / #:
So to the same extent or a similar question, but from the other side, is there a book that you've written that you feel is the one, this is the one that 50 years from now, this is the KJ Charles book I wish everyone would read.
Sarah MacLean 01:05:29 / #:
When we talk about you, the way people talk about Georgette Heyer, like "this was the good one"-
KJ Charles 01:05:33 / #:
Oh, gosh, that's such a hard one, isn't it? Most of them have different things that I'm proud of. I mean, look, if you're asking me sort of which book am I proudest of? It's probably book three of my Will Darling series, solely because there was literally no way I was able to write that book because I published book one just at the start of the pandemic. And I had just finished writing book two when I was publishing one because it was it's self-pub and you can do that. And book three, I'm trying to write it in the pandemic, plus it's a book three of the same couple trilogy, and I put all that work in and I couldn't do the plot at all. It was really plotty. And there was another, and they couldn't decide on the, I mean you know what it was like writing in the pandemic - flipping mad.
01:06:20 / #:
But it had a murder mystery. And I wrote to the beginning with the same character. First he was the victim and then he was the murderer, and then he was the key witness and I had to write this over and I forget and I just couldn't write this bloody book.
Sarah MacLean 01:06:35 / #:
Plot is the worst.
KJ Charles 01:06:37 / #:
It took me 10 months. I cannot, I normally write a book in four months. It took me 10 months to write this. I had to stop and write a different book in the middle just to take my mind off things. So the fact that I finished it and the fact that lots of people, some people would, it's been reviewed as "her best book" kind of thing. I think, yeah, I will eternally be proud I did that.
01:06:59 / #:
I'm also actually incredibly proud of the Secret Lives as Country Gentleman, which is one that is coming out in March with Sourcebooks because that-
Sarah MacLean 01:07:08 / #:
It is tremendous. I was very lucky to be able to read it early.
KJ Charles 01:07:14 / #:
Well, I'm proud of it as a book. But I'm also immensely proud because I've published with Samhain and then I had six books with Love Swept, which were only published in E, which is an experience. [inaudible 01:07:31 / #] 2017 I basically switched to self-publishing and decided I didn't want anything to do with publishers ever again as long as I lived. And while, started looking to change that a few years later, so Secret Lives of Country Gentleman is now my first book that is coming out, coming primarily in print, this is obviously coming out in E, but Sourcebooks is print-led. Yeah, it's going to be on bookshelves, it's being promoted, it's had reviews in all the big journals, which is not something you'd get when you are self-published as a rule. And it is actually out there going, look, there is queer historical is on the shelves to buy being promoted by a publisher and being part of a tiny part, but a part of that wave of actually getting some representation out there. So I'm just hugely proud of that.
Sarah MacLean 01:08:23 / #:
Everyone, you can pre-order it now.
01:08:25 / #:
So one last question that we really like, because we feel like the history of romance is so unwritten. And we sort of mentioned this earlier, but when you think about the people that you've worked with that maybe are not, the unsung heroes of romance, are there people you worked with at Mills & Boon or people that you've worked with even as you self-published or at Samhain? We like to put the names in show notes just so that they show up in Google searches. These are people that we can sort of say, "hey, these people were an important part of making romance happen."
KJ Charles 01:09:05 / #:
Oh, it's hard isn't it, to sort of define.
Jennifer Prokop 01:09:10 / #:
It's giving an Oscar speech. Just get in the mood.
KJ Charles 01:09:15 / #:
So some of the authors I would think of, I named some of them before, but the people who have just dug in and written the books about, written the books that publishers weren't taking. So again, Jordan L Hawk and E.E. Ottoman, who were writing Trans Romance, and Jackie Lau and Talia Hibbert, who are writing diverse romance and who have driven through and become really successful.
01:09:46 / #:
And then you've got the authors of Trans Romance who are getting published now because that's happening in Karina. So you've got Penny Aimes and Kris Ripper and May Peterson and who are just leading the charge and pushing forwards. And I want them to explode, not literally I want them.
01:10:06 / #:
And actually also the people, because I mean Mills & Boon for a long time, Harlequin certainly when I came into romance, very white basically. It was pretty much very, very heavily white when I was there as an editor.
01:10:24 / #:
And then you've got people like Therese Beharrie and Jadesola James, Jeannie Lin was with them. People who were actually getting in there and changing things and being very visibly, writing books about, the price is an actual Nigerian prince, not the kind who sends emails, but your actual Nigerian price. And Teresa Harris writes, she's black, South African, and she writes books and yeah, she's also moving to traditional publishing out of category. But all those people, they fought so hard to be seen. And I want them all to be huge successes because they're also all wonderful writers. So that matters.
01:11:05 / #:
And then in terms of editors, the one who actually really leaps to mind, I wish I knew what she was doing now, is Anne Scott who was my editor at Samhain, and I say this because she gave me the single best piece of editorial advice I had ever received in my life. And one which I still think about and still becomes relevant every time I write a book. Cause I keep doing the same thing over and over again. But she basically just highlighted this passage and said, this reads like you are explaining the plot to yourself. And I've never been so seen in my life. Now I can see your face there. Yeah, exactly.
Jennifer Prokop 01:11:41 / #:
Oww.
KJ Charles 01:11:42 / #:
Yeah, but actually-
Jennifer Prokop 01:11:44 / #:
Also, yes, absolutely.
Sarah MacLean 01:11:46 / #:
Yeah. I'm going to write that down. That's a good thing to tell people.
Jennifer Prokop 01:11:49 / #:
Man, that happens in every book.
KJ Charles 01:11:52 / #:
But have an editor who will actually just sit there and say that to you and it as genuinely, every manuscript. And why is this so, period. Yeah. Why is this whole passage so slow and boring? Oh right, I'm doing it again.
Jennifer Prokop 01:12:05 / #:
I'm just recapping for myself because I took a little break.
KJ Charles 01:12:11 / #:
Yeah, exactly. It's shockingly easy to do, but when you get that kind of [inaudible 01:12:16 / #], you will never forget it. And I actually, I did a book called The Secret Casebook of Simon Feximal, which is framed as, the hero is a kind of Watson who writes stories about his lover, who he works with and is framed as letter to the editor. And I actually named the editor Henry Scott after Anne Scott because she just deserved to be immortalized.
01:12:37 / #:
But yeah, no, that kind of thing you just can't forget.
Sarah MacLean 01:12:41 / #:
That's a great piece of advice. Great advice.
Jennifer Prokop 01:12:44 / #:
We did a deep dive read along of Band Sinister so hopefully all of our readers have read a KJ Charles book, but if they haven't, I wonder if you could talk a little bit about what makes a KJ Charles book? Because you've written, so you've written all over the place in terms of, there's magic sometimes, there isn't magic, sometimes there's more, sometimes there's more romance, sometimes there's a murder, sometimes there's three books with the same couple. So I wonder, is there something that when you think about yourself and the way you write that you always get from KJ Charles?
KJ Charles 01:13:22 / #:
I have basically two taglines or taglines which have been bestowed on me. And one of them is romance with body counts, which is completely fair. Somebody did an infographic of deaths in my book and it's just horrifying.
Sarah MacLean 01:13:37 / #:
I'm going to find that.
KJ Charles 01:13:38 / #:
[inaudible 01:13:38 / #] and the different animals that people have been killed by and that kind of thing. So yeah, romance with body count, high murder levels, definitely. And the other one is HEA [inaudible 01:13:50 / #].
Jennifer Prokop 01:13:49 / #:
[inaudible 01:13:50 / #]
KJ Charles 01:13:49 / #:
It sums up everything I aspire to.
Jennifer Prokop 01:13:57 / #:
Oh my gosh. Put it on your tombstone.
KJ Charles 01:14:00 / #:
Oh totally.
Sarah MacLean 01:14:01 / #:
Tattoo worthy, I'll say it.
KJ Charles 01:14:02 / #:
Band Sinister is absolutely HEA BGA and the Will Darling Adventures is romance with body counts kind of thing. So those sort of sum up the kind of things I write, albeit over different time periods. But if I had to identify one element that was most present, it is probably the theme of a lonely person finding an alliance, friendships, loyalty, not just from their loved one, but in a larger group.
Jennifer Prokop 01:14:31 / #:
That's the right answer.
KJ Charles 01:14:32 / #:
And I toted it up because when I looked at your thing before, and as far as I can tell out of approximately 27 books, so far, 23 have [inaudible 01:14:45 / #]. So that's quite a lot. But it's so important because you've got, especially I'm A), I'm writing historicals about a time where there was no social safety net whatsoever. And if you didn't have a supportive family or a supportive community, you know, you were in so much trouble. And B), I'm writing about queer people who are, take that what I just said and multiply it by a factor of about 50. And it seems to me that a happy ending very often requires, you know, it takes a village fundamentally. So I seem to have a drive to give people their best friends and the new best friends and their group and the place where they feel at home. And it's not just with one person. Its got to be bigger than that. So I think that would be me.
Jennifer Prokop 01:15:34 / #:
We'll think about how to make that into something catchy like HEA BGA, not sure I'm up to the task, but that then you'd have three romance with a body count, HEA BGA and I'll keep working on it.
KJ Charles 01:15:46 / #:
I actually, one of, I did a series called Society of Gentlemen set in, it's a very realistic type regency world in that it's politics like cats in the sack and people like, being informed on and sent prison for their political views and revolution and so on. And one of the heroes who's a seditionist, and one of the things he repeats throughout the book is, "I don't inform". Its his catchphrase. He does not inform, it doesn't matter what he do to him, he's going to be absolutely loyal to his friends.
Jennifer Prokop 01:16:20 / #:
That's A Seditious Affair, right?
KJ Charles 01:16:22 / #:
That's A Seditious Affair. Yes.
Jennifer Prokop 01:16:23 / #:
That's my favorite of that series.
KJ Charles 01:16:25 / #:
Yeah, I enjoyed writing that so much.
Jennifer Prokop 01:16:27 / #:
Silas and Dominic, and they're perfect in all ways.
KJ Charles 01:16:32 / #:
I really enjoyed writing that one because it's got a lot of the things that I write about a lot, like class difference, which is absolutely huge there and money difference. But also what to do when you've got genuinely opposing points of view. Because I really feel that most of the time a conflict isn't one person who's right and one person who's wrong. There's people who came at it from a completely different point of view and have to reconcile those points of view. And one of them going, I'm sorry, I was totally wrong. It's easier. But it's not how it works. Yeah. So I'm very proud of that one.
Sarah MacLean 01:17:09 / #:
We are pro-conflict here at Fated Mates. So on the record.
01:17:14 / #:
KJ, this was wonderful. Thank you so much.
KJ Charles 01:17:17 / #:
Pleasure. Thank you for asking me.
Jennifer Prokop 01:17:18 / #:
And talking about your life in romance and your thoughts. We, I'm, I love every time you write along a long form piece about what's wrong with writing in romance. Well, and I will say mean, we didn't mention it, but KJ's blog is, if you want to write romance and you are not reading it, you are doing it wrong. And as an editor, if you are an editor and not giving people, I'm often read this, read this because it's so great. I mean that's the thing I feel like your editor's eye, you can see in the things that you write yourself, but also in the way that you talk about books you've read. I just, we're lucky to have you.
KJ Charles 01:18:00 / #:
Well I'm, I've really scratched my itch I missed being an editor. I loved being an editor.
01:18:03 / #:
Well, I really scratched my itch because I miss being an editor. I loved being an editor. And if they would only pay me enough, I would still be an editor. But it's the way I scratch my itch to talk authoritatively about books these days is in large part by blogging. And plus, I also find that if I blog on a subject that I'm sort of noodling about in my own writing, I often find... My granddad used to say it, say, how do I know what I think 'til I hear what I say? And I feel that may be what I'm doing.
Jennifer Prokop 01:18:29 / #:
That's perfect. No, we do that too. I feel like whenever I'm in deep in a book, I'm like, "Jen, can we do an interstitial about this thing that I'm working on?"
KJ Charles 01:18:37 / #:
Yeah, exactly.
Jennifer Prokop 01:18:38 / #:
So that I can read a bunch of books and then noodle it.
KJ Charles 01:18:41 / #:
Yeah. And you talk about it, but you're not talking about yourself. You're just talking about the problem abstractly. And lo and behold, it turns out that, you know?
Jennifer Prokop 01:18:48 / #:
Yeah, right. That's when the solution appears.
KJ Charles 01:18:50 / #:
That's what I think. Thank God, I knew it was something.
Jennifer Prokop 01:18:56 / #:
Well, thank you so much for being with us. What an amazing conversation. And we wish you the best of luck with the Secret Lives of Country Gentlemen, which is, as I said, tremendous.
KJ Charles 01:19:07 / #:
Thank you.
Jennifer Prokop 01:19:08 / #:
And you should all go read it immediately. I had a whole lot of joy reading it. March 7th.
Sarah MacLean 01:19:14 / #:
March 7th. Thanks, KJ.
KJ Charles 01:19:16 / #:
Excellent. Well, thank you very much for having me. That was lovely.
Sarah MacLean 01:19:21 / #:
What a delight.
Jennifer Prokop 01:19:23 / #:
Oh, she's the greatest.
Sarah MacLean 01:19:24 / #:
She's so fun.
Jennifer Prokop 01:19:26 / #:
Yeah, yeah. So during the pandemic, Joanna Shupe has a Facebook group. If you love historical romance, the League of Extraordinary Historical Romance Writers, and readers can be in that space too. And so it's a really fun group. And during the pandemic, I hosted a bunch of Zoom chats. Remember how desperate we were to just talk about things? And KJ was on once and I was like, "Oh, wow, this is great." And so, one of the things, can we talk about her working at Mills and Boon Stories? So awesome.
Sarah MacLean 01:20:04 / #:
I know. And so, one of the things that I just realized before we started recording the intro and the outro for this episode is we didn't say this, but I'm sure most of that Mills and Boone is Harlequin.
Jennifer Prokop 01:20:20 / #:
Right.
Sarah MacLean 01:20:20 / #:
It's just called Mills and Boon in the UK, Australia, Canada. Although I think now in Canada it's Harlequin. I don't know. Don't quote me on that. But Mills and Boon and Harlequin are crossover publishers. So presents that are published by Mills and Boon can be published by Harlequin, et cetera. I wish I'd thought to push her more on talking more about medicals because I would really like to know why medicals aren't an American thing. Don't really sell over here because I love a doctor, as you know.
Jennifer Prokop 01:20:54 / #:
I really honestly do feel like it maybe... I joked about ER, but I do think that maybe it's a different... I think maybe American TV has trained us to expect a different kind of medical thing happening.
Sarah MacLean 01:21:07 / #:
Interesting. See, what I immediately thought of was does this have something to do with insurance?
Jennifer Prokop 01:21:13 / #:
Well, sure. Nothing... Yeah.
Sarah MacLean 01:21:15 / #:
Because medical issues are so much more stressful for Americans than they are for people in all the rest of the world because we have to worry about costs.
Jennifer Prokop 01:21:23 / #:
Yeah, maybe. Maybe.
Sarah MacLean 01:21:25 / #:
But I don't know that. That just went to a bleak place. Anyway, I get universal healthcare, everybody. Vote for politicians who want to give you healthcare.
Jennifer Prokop 01:21:35 / #:
A whole new romance world will open up to us.
Sarah MacLean 01:21:37 / #:
Imagine. Imagine if that happened, if we go universal healthcare and an entire new world of contemporary romance.
Jennifer Prokop 01:21:44 / #:
What a world.
Sarah MacLean 01:21:45 / #:
Listen, that's what they should do. They should put out commercials like that in election season.
Jennifer Prokop 01:21:50 / #:
Yeah. I think the thing that also, when I think of if, look, I love KJ Charles's books. Obviously we've talked about Band Sinister's my favorite, but there are writers who have different strengths. And one of the things about KJ Charles's books is they are impeccably plotted and the pacing is perfect and all of the emotional beats. KJ Charles, as we like to say, really knows the job. And so it was really fascinating to hear her talk about learning the neural pathways literally being retrained, right?
Sarah MacLean 01:22:26 / #:
Yeah. Spending years writing, spending years editing category has to hone that skill better than really anything else, I would think.
Jennifer Prokop 01:22:37 / #:
Absolutely.
Sarah MacLean 01:22:39 / #:
I talked about this when we did the Band Sinister episode, but there's just no, there's nothing extra in those books. Every word is placed intentionally. Every plot point is intentional. I was really fascinated, I was truly incredibly fascinated by her talking about Heyer and how Heyer has really influenced her work. And that, of course, is because when we think about Heyer now, when we look back on it, Heyer's sort of a problematic antecedent, right?
Jennifer Prokop 01:23:10 / #:
Yeah.
Sarah MacLean 01:23:10 / #:
And for all of us, and I think what was really interesting to me when she talks about Heyer is how much she acknowledged queer coding in hair.
Jennifer Prokop 01:23:19 / #:
Yes.
Sarah MacLean 01:23:20 / #:
Which is not a thing I have ever thought about. Obviously when we talk about cross-dressing heroines and a lot of those things that were so essential to romance and continue to be really constant in historicals, it's never really given... I've never thought about them... I've thought about them coming from Heyer, but I've never thought about them coming from Heyer and being possibly intentionally coded in Heyer. And it made me think, gosh, I wish KJ would write the introductions to a bunch of these Heyers. So if you're a publisher out there, now You know who to talk to.
01:24:05 / #:
Planning to republish Heyers.
Jennifer Prokop 01:24:09 / #:
Yeah.
Sarah MacLean 01:24:10 / #:
Hit up KJ to write some of them, the introductions.
Jennifer Prokop 01:24:12 / #:
I think that this is something, and again, we are two straight ladies talking about this, so I don't want to-
Sarah MacLean 01:24:18 / #:
Yeah, of course.
Jennifer Prokop 01:24:19 / #:
-misstep, but I have thought a lot about what she was talking about. These books have existed for a long time, but in small press runs, and with Vincent Avera in specific bookstores, knowing, so how to get those books into your life was charged. And so I think a lot about how angry I am that people are realizing, oh, this is dangerous. And these movements to remove queer coded... Not queer coded books, queer books. Doesn't have to be coded anymore.
Sarah MacLean 01:24:56 / #:
We don't have to queer code anymore, although I think we are going to start seeing it.
Jennifer Prokop 01:25:00 / #:
I just can't get over... I don't know, I'm so upset about us going backwards and I'm so upset about the kids who had to look for queer coding because queerness explicitly didn't exist. And it's just so wrong to be taking that back from young readers, from any readers.
Sarah MacLean 01:25:21 / #:
Absolutely. I want to pause in our KJ discussion to just say to everyone, if you have not listened to our book banning episode, and I know there were lots of reasons why people maybe skipped that episode, but it is so important to hear the voices of those people who are being impacted directly by book banning. And so we have it, we'll put links and show notes to it. It sits now on the main page of fatedmates.net so that everybody can access it, but I encourage you to go listen to that episode so that you can get more informed about what is actually happening in the world right now, in the United States especially.
01:26:05 / #:
I thought that was really interesting. I really thought, I was interested in the way that, in the way she talks about historicals. We talked about this too, that there are two schools of historicals, the historicals that are maybe more historical fantasy without magic, as she said. And then what she writes, which is more historical romance purely. And I think that she threaded a really interesting needle there. And I do think there are really interesting things happening on both sides of that line.
Jennifer Prokop 01:26:42 / #:
Right. And I think I love historical, God, I love historical so much, and I feel like there's such refuge for me, and it sounds like for KJ too, in thinking about who we are now through the lens of who we were then, that's such a powerful way to think about the differences. And also what I really loved is I think one of the things you and I is romance is fun. Romance is fun.
Sarah MacLean 01:27:09 / #:
It should be fun, yeah.
Jennifer Prokop 01:27:11 / #:
It should be fun. And it doesn't always have to be fun. That's not the only mood that romance kind of can be in, but I really loved, because that's one of the things I think about KJ's books, is you are in for a good time reading those books.
Sarah MacLean 01:27:26 / #:
Yeah, they rollick.
Jennifer Prokop 01:27:27 / #:
Yes, exactly. And I think that that's part of the... It's nice to hear a author who is so committed to romance being fun, talk about what that means and what that looks like and how you get there. And then to hear that readers respond to it is so powerful. Right?
Sarah MacLean 01:27:47 / #:
I think she wasn't giving herself enough credit when she talked about how readers interact with her texts because I think reading KJ's remarkable books with her communities of supportive communities of characters, and the way love is just so beautifully represented in all of these books. She just does it so, so well. She's one of the best of us undeniably. And I think for readers, there is such power in that.
01:28:26 / #:
And I imagine back in the day when Samhain was producing some of the only eBooks that you could find that were romance KJ must have been incredibly transformational for a lot of readers.
Jennifer Prokop 01:28:46 / #:
Yeah. I think a lot about it because one of the things I feel is sometimes romance authors develop secondary characters only as bait for later books. And look, God, trust me, I love it. But that is not what KJ Charles is doing. And I think it's really important in terms of from a writing standpoint to really state that. Every single character in her books is there to be themself, not there to just be like, "I'm here to support the other characters," or, " I'm here to be background," or, "I'm here for a future book." And I really think that that's a hallmark of her style to me, is how well-developed it all is. No one's there just for a reason. And I think if you're interested as a writer yourself about how to do good secondary character work, you should be reading KJ Charles.
Sarah MacLean 01:29:53 / #:
Oh, a thousand percent. You should be reading KJ Charles for a lot of reasons. Her incredible plotting.
Jennifer Prokop 01:30:04 / #:
Yes.
Sarah MacLean 01:30:05 / #:
And this sounds like you're explaining the plot to yourself, is like, oh, yes, I felt harmed by that, but the truth is that her plotting is so clean. And I don't know if it happens on the first draft or if it happens later, but the way her plots come together is so tidy. And we talked about this, we're sort of rehashing the deep dive that we did, but hearing her talk about process in that way was really valuable.
01:30:37 / #:
And I think also one of the things that she seemed to be able to do, she seems to have been able to do with her career, is really write all around. You really get the sense from her that as difficult as it has been in terms of it sounds like her publishing journey has been not great all the time, and certainly losing your publisher, your publisher closing, having a terrible relationship with your publishers can really impact what you end up writing. It sounds like for her, it has also been really, it allowed her to really explore.
Jennifer Prokop 01:31:18 / #:
Is this the first predominantly self-published author we've had on?
Sarah MacLean 01:31:22 / #:
Well, we had E.E. on.
Jennifer Prokop 01:31:23 / #:
As a trailblazer? Oh, and E.E. Ottoman. And that's probably not a mistake, right?
Sarah MacLean 01:31:30 / #:
And Radcliffe. If you think about our queer-
Jennifer Prokop 01:31:32 / #:
Oh, yeah. Right.
Sarah MacLean 01:31:33 / #:
-guests. With the exception of Vincent, but that's just because it didn't exist probably when-
Jennifer Prokop 01:31:38 / #:
Sure.
Sarah MacLean 01:31:39 / #:
It definitely did not exist when Vincent was writing.
Jennifer Prokop 01:31:42 / #:
And I think that this is the thing where we haven't really... I think we are agnostic. When we talk about books, we're just like, "This is a good book." We're not really talking about necessarily the pipeline that brought it to your Kindle or to your door. I think that when we think about this time in romance, the ability to self-publish, the gatekeeping that exists that then people can circumvent is going to bring us books like KJ Charles, like E.E. Ottoman, like May Peterson. These are books that... And then because of the success of these authors, then we can see how traditional publishing is like, "Oh, there is a market for this." That whole discussion of the ways publishing is like, "Well, if this sold already, we'd already be selling it."
01:32:32 / #:
And I think that the only, in that way, self-publishing has been such a gift, not just to the romance community, but just to all readers. I can read books now that I didn't know I would love because publishing didn't think I would buy it. And I think that that part, talking about the journey from traditional, a kind of traditional independent publisher Samhain, down to the Riptide dream spinner, this has been a circuitous route. And it's hard to see, I don't know how to say this, the whole story until it's later, but I think that we're going to really look back on self-publishing as it gives and it takes.
Sarah MacLean 01:33:25 / #:
You and I come at romance with a very keen sense of we have to know the past in order to understand what's going on. I don't think everybody comes to romance that way, and I don't think everybody has to. But I think for you and me, there is a very real sense of the history informing the present. Right?
Jennifer Prokop 01:33:44 / #:
Right.
Sarah MacLean 01:33:46 / #:
And I think people like KJ teach us that... I just don't believe that indie publishing would be where it is if not for those small presses at the beginning. And I think that that is because those small presses, they rode that line between traditional publishing and the structure of traditional publishing and the timeline of traditional publishing and where we are now. And so I think that we are very lucky to have had authors like KJ come up through those publishers because I don't think that if we'd sort of immediately gone into what we are, where we are now with a giant pool and everybody just throws their stuff into it, we would have the kind of discoverability that we do.
Jennifer Prokop 01:34:45 / #:
Well, and I think that this is also, I'm thinking a lot about what she was talking about in terms of her readers, the letter she gets from readers, and everyone, you couldn't see her, right? But it was like this is clearly something that moved her deeply. It moved me to hear her talk about it. And I think that this is the part where what has in many seasons of Faded Mates, I hope what people really understand is reading has made me who I am. If you're a reader, the things you read are changing, are making you who you are, realizing who you are at all kinds of levels. And I just found it really beautiful to think that self-publishing, cutting out those gatekeepers has just made room in the world for people who in romance, in the readership in the world, who they are.
01:35:43 / #:
I don't know. I just get on my high horse about romance, how beautiful it is, how much it means to me to know that, I don't know, there's nothing more important about who you are in the world than how you feel about yourself and who you are allowed to love. Right?
Sarah MacLean 01:35:59 / #:
I don't know.
Jennifer Prokop 01:36:01 / #:
Yeah. And I just was very moved by the idea that people who have, we've talked about letters, people, authors get from readers who are like, "I don't like it when you swear." But you know what? Maybe that's worth it. Who cares about those letters in comparison to...
Sarah MacLean 01:36:19 / #:
Yeah. And I do think we are living in a really fascinating age of romance, and you and I talk about all the different ways that that is true, and it's not all good, but the thing that is good is how easy it is to find yourself in the books now.
01:36:43 / #:
I also think we didn't say this with her, and I wish we had, because I do believe that she herself may be responsible for a lot of how historical romance is tackling queerness.
Jennifer Prokop 01:37:00 / #:
Oh, yeah.
Sarah MacLean 01:37:02 / #:
And I mean that as the difference, the sheer difference between even the nineties and early thousands and the way historicals would use queerness as a weapon versus now you do see characters in romance in historical more. You don't see them as protagonists all the time, but you see them as secondary characters more, tertiary characters more. And I think KJ is a big, big reason why, I think so many of us have looked to her books as remarkable texts and also a brilliant model for how to try to do this right.
Jennifer Prokop 01:37:51 / #:
Yeah.
Sarah MacLean 01:37:52 / #:
And I think that's why we wanted her on. Well, we're rethinking the way we think about trailblazers. We want very much to be collected. The theory of this batch of episodes, the series, is that we wanted to make sure we had a lot of these voices. And of course, for us, we want to make sure we get the older voices as quickly as we can for lots of reasons. But that doesn't mean that... But KJ is a perfect example as of somebody who has transformed the genre.
Jennifer Prokop 01:38:29 / #:
Yes, right. As a reader. It's funny because we've been talking, this is not related necessarily to exactly to KJ Charles, but I had this moment this week where I was kind of like, "What is it I value as a romance reader, a longtime romance reader?" We see so many new readers. It's really exciting in so many ways. But I had this moment where I just realized what I really value is people who have a lot of interesting ideas. I just want to read your books if you have interesting ideas. And I joked about the book about the taxidermist, because if you had told me that I would love a book about taxidermy, I don't think I would've believed you. And yet, obviously it's just a set piece in some ways.
01:39:15 / #:
But her interests, I'm kind of glad I brought up to her talking about how interested she became in it. And I think that that's the thing about KJ. When she said, "I have 27 books," or whatever it is, they're not all the same. Not even close, none of them to them. And I think that that's one of the reasons I think of her as one of my favorite authors, is obviously she just does romance so well, but also she is always doing something interesting herself. I can see her challenging herself, and that is challenging and exciting to me.
Sarah MacLean 01:39:49 / #:
And what's fascinating is when she listed the authors who she thought were important for us to name, almost all of those authors also do different things every time.
Jennifer Prokop 01:40:02 / #:
Yes, right.
Sarah MacLean 01:40:03 / #:
Right?
Jennifer Prokop 01:40:04 / #:
Right.
Sarah MacLean 01:40:04 / #:
Alexis Hall has never written the same book twice. So there's a fascinating... She is drawn to other authors who are doing, who exploring.
Jennifer Prokop 01:40:16 / #:
Yeah.
01:40:18 / #:
And that's the thing I feel like when I think about trailblazers, to me, I think when we first started, it was kind of you were the first, obviously these are the people who are the first to do something or riding the wave of being the first to do something. But I also think as our thinking has changed, it's kind of like, who has figured out a way to write 27 books and keep it fresh? Who has figured out the way? And that is valuable to me because I think that's how we talk about, as she said, it's a huge big tent, right? Romance is huge. So who are the people that are out there pushing on the corners? I'm interested in how they just think about their work and what they do.
Sarah MacLean 01:41:04 / #:
All right, well, another trailblazer in the can, as they say. Everyone, this is Faded Mates. Don't forget Faded Mates Live is March 24th in New York City. We would love to see you, bring your friends. Tickets and more information at fadedmates.net/live. Next week, we've got an interstitial for you.
Jennifer Prokop 01:41:28 / #:
Yeah. And I would like to just say quick shout out and thank you to Lumi Labs and Kylie Scott for sponsoring this week's episode.
Sarah MacLean 01:41:37 / #:
We're thrilled to have you all. I'm Sarah MacLean I'm here with my friend Jen Prokop. You can find us every week at fadedmates.net, on Twitter @fadedmates, on Instagram @fadedmatespod. We will see you next week.